I think so. #writetip I discovered one way to do this while I was proofreading the German Version of my novel, Fracture Line.
My character enters a scene and says two short sentences. Both are five words long. The only punctuation is a period after each sentence.
The translation turned the two sentences into one connecting them with and. It’s only one more word, but it changes the from two simple sentences to a compound sentence.
When I read the translation I realized the longer sentence was slowing my character. I wanted her to rush in and blurt out her news, not take her time to be articulate.
The German sentence sounded more eloquent, but it didn’t give the impression I wanted.
Do you have other ways to give the impression your character is in a hurry?
Related articles
- Make Your Dialogue Work For You (crimsonromanceauthors.com)
- How to Write Dialogue in Three Easy Steps (girlnone.com)
- A Little Grammar Please: (alvindavis99.wordpress.com)
What a good thought! And well explained, too. Sentence length can show so many things. With my first two, I hope I’ve shown my enthusiasm for your blog post.
LikeLike
And, of course, I know the second one is a fragment but, my high school English teacher notwithstanding so many years ago, a well-placed frag can add punch, reality, and character traits.
LikeLike
You are so right about the impact of a sentence fragment. As long as they are not used too often and only when you mean to use them, they are a great tool. Funny how we remember what our teachers told us years ago.
LikeLike