The 2nd Secret to a Bestselling Fantasy: The Supernatural Plot

~ Kristina Stanley ~ Leave a comment

Have you ever sat down with a brilliant magical system, epic mythical creatures, and an enchanted world, only to feel your manuscript drifting without real direction?

You know your world has magic, but your story feels unfocused, bogged down, or lacking genuine momentum.

If this sounds familiar, you are not alone. Many fantasy writers struggle to balance imaginative worldbuilding with story structure. In our previous discussion, we looked at why every novel requires a strong external plot. However, an external plot alone will not turn your draft into a true fantasy novel.

To create a book readers cannot put down, you must understand the second crucial story arc of your manuscript: the supernatural plot.

What Is the Supernatural Plot?

Kristina Stanley points out a foundational truth for speculative fiction: a story without an external plot is not a story, and a story without a supernatural plot is not a fantasy.

When we look at the supernatural in a fantasy novel, we are referring to magic systems, powers such as telekinesis or precognition, and mythical creatures like dragons, vampires, or fairies. Readers pick up fantasy books specifically to experience the protagonist grappling with and harnessing these forces.

In Secrets to Writing a Fantasy, K. Stanley and L. Cooke explain that whether your world relies on magic or fantastical beings, the supernatural must directly help or hinder the protagonist from reaching their story goal. Magic should have limitations and costs. It cannot exist simply as decorative background detail. It must drive the conflict.

The Five Supernatural Story Arc Scenes

Using The Fictionary Method, you can build a structurally sound supernatural plot by establishing five key story arc scenes that run alongside your external plot:

  • Supernatural Inciting Incident: The protagonist gets an inkling that the supernatural exists or that they can influence it.
  • Supernatural Plot Point 1: The protagonist fully believes in or uses the supernatural for the first time.
  • Supernatural Middle Plot Point: The protagonist proactively uses the supernatural to drive the story forward.
  • Supernatural Plot Point 2: The protagonist faces a major limitation of the supernatural or experiences a painful lesson about its boundaries.
  • Supernatural Climax: The protagonist uses the supernatural in a final attempt to achieve their goal.

Creating Your Supernatural Skeleton Blurb

Before you outline or edit, summarize this plotline into a single sentence called a supernatural skeleton blurb. The structure follows a clear pattern:

The protagonist must use the supernatural, otherwise they will not achieve their supernatural story goal.

By defining your protagonist, the supernatural power or creature they must interact with, and the stakes on the line, you establish focus for every scene. When you weave these five supernatural scenes together with your external plot arc, your novel gains the deep structure found in commercially successful fantasy books.

Take Your Fantasy Writing to the Next Level

Ready to turn your imaginative magic into a commercially successful novel? Grab your copy of Secrets to Writing a Fantasy by K. Stanley and L. Cooke today. Discover how to apply The Fictionary Method, weave your story arcs, and write a fantasy novel that readers will love.

The 5 Mystery Story Arc Scenes You Mustn’t Miss

~ Kristina Stanley ~ Leave a comment

Have you ever finished reading a mystery novel and felt a profound sense of satisfaction, as if every puzzle piece finally clicked into place? That feeling isn’t an accident. Commercially successful whodunits, from cozy mysteries to gritty police procedurals, all share a structural DNA. In our book, Secrets to Writing a Mystery, we dive deep into the five non-negotiable story arc scenes that guide readers from the first drop of blood to the final handcuffs.

To write a mystery that keeps readers turning pages past midnight, you must master these five signposts:

1. The Inciting Incident: The Call to Action

The mystery begins when a crime is committed or discovered. This usually happens within the first 15% of the book. Whether it’s Siobhán finding a body in her family bistro in Murder in an Irish Village or Vera Wong discovering a corpse in her teahouse, this event shakes the protagonist’s world and introduces the central question: Whodunit?

2. Plot Point 1: Accepting the Goal

Occurring between 20-30% into the story, this is where the sleuth commits to the investigation. It’s not just about curiosity anymore; the stakes have risen. In A Good Girl’s Guide to Murder, Pippa receives a threatening note that proves her friend’s innocence, forcing her to accept that she must find the real killer.

3. The Middle: Shifting the Investigation

Right around the 50% mark, the investigation changes direction. A false victory, a new threat, or a second body (as often seen in classic mysteries) propels the sleuth from being reactive to proactive. They now understand the gravity of their mission. In Missing, Presumed, the identification of a new body links crimes together, forcing Detective Bradshaw to refocus her efforts entirely.

4. Plot Point 2: The Darkest Hour

At close to 70-80% into the story, your protagonist hits their lowest point. They might be abandoned by allies, as Vera Wong was, or lose something precious, like Pippa’s dog. While the sleuth may not fully realize it, this is also where they find the final, crucial crumb of a clue that will help them in the climax. Without this moment of doubt, the resolution won’t feel earned. It’s the point where the sleuth is furthest from the truth, or so it seems.

5. The Climax: The Puzzle Solved

This is the non-negotiable resolution where the sleuth identifies the culprit and brings them to justice. Whether it’s a high-stakes confrontation or a brilliant deduction, this scene (around the 85-95% mark) must satisfy the reader’s expectations. The mystery must be solved.

Writing a mystery is an iterative, rewarding task. By following these patterns for these essential scenes, you ensure your story isn’t just a series of events, but a compelling arc that keeps readers hooked. 

The next few blogs will focus on each of these key story arc scenes in more detail.

If you are ready to dive deeper into these scenes and more right now, check out Secrets to Writing a Mystery and start building your whodunit today!

Until next time, Lisa.

From the moment the children’s librarian walked a young bookworm upstairs to the Adult Department and introduced her to the mystery section…Lisa Taylor has been hooked on the genre.

For years, Lisa was an educator and librarian, honing her skills in helping readers and writers develop with curiosity and creativity. Now as an editor and writing coach, Lisa works with a small publishing house as well as being a Fictionary Certified StoryCoach Editor and Certified Instructor.

Secrets to Writing a Mystery is Lisa’s first published book. Along with editing and coaching, she is currently writing an amateur cozy mystery series set in Northern Ontario.

Want to Learn to Self-Edit?

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The Secret Engine of Romance: Why Your Story Needs an External Goal

~ Kristina Stanley ~ Leave a comment

We all know the heart of a great romance lies in the emotional journey. It’s about the protagonist overcoming a deep-seated wound, shattering a lifelong misconception, or fixing a flaw that keeps them from accepting love. But if two characters just sit in a room analyzing their emotional baggage for three hundred pages, the story loses its momentum.

To give those raw emotions a place to clash and grow, your characters need a concrete, real-world objective. In the framework Kristina Stanley and I created in our book, Secrets to Writing a Romance, we map this out using an external skeleton blurb:

[Love Interest(s)] must [external goal]; otherwise [external stakes].

Whether this external plot is a full three-act story or just an initial goal that fades once the momentum takes over, it serves as the essential engine for the romance. Here is how a clear external goal acts as the ultimate catalyst for romantic tension.

1. Engineering Natural Forced Proximity

The most immediate benefit of an external goal is that it provides a logical, undeniable reason for your love interests to occupy the same space.

Instead of relying on random coincidences to bring your couple together, the external goal demands it. They might be forced to share a workspace, cooperate to solve a pressing problem, or navigate a temporary living situation because their individual real-world objectives give them no other choice. Walking away from each other would mean failing at their external goals and triggering those high external stakes.

This forced proximity gives your characters the physical runway they need to let their emotional guards down—or throw them out entirely.

2. Introducing the Perfect Obstacles

While the external goal is excellent for pulling characters into the same orbit, its true narrative superpower is introducing organic conflict. A beautifully crafted external goal doesn’t make the romance easy; it actively throws obstacles in the way of the Happily Ever After.

When a character is desperately chasing a professional milestone, managing a family crisis, or protecting a secret, that goal will inevitably collide with their growing feelings. It creates a beautiful friction where pursuing the romance directly threatens the external stakes, or vice versa.

When a character is desperately chasing a specific milestone or managing a high-stakes crisis, that pursuit should directly collide with the other character’s world. It’s not just about a lack of time; it’s about a clash of interests. For instance, one character’s professional success might directly threaten something the other character is fighting to protect. By introducing these tangible, high-stakes roadblocks where one person’s triumph could mean the other’s setback, the external plot dramatically raises the tension. It forces the characters to navigate a minefield of conflicting loyalties, making the eventual romantic resolution feel incredibly hard-won and deeply earned.

3. Forcing Internal Growth Through External Pressure

The real magic happens when the external goal puts direct pressure on the romance plot. A protagonist shouldn’t be able to achieve their goals without changing.

The pressure cooker of trying to hit that external milestone forces the protagonist to confront their inner flaws, fears, and past traumas. The external pressure is the exact crucible required to break down their internal walls, forcing them to grow into the person who is finally capable of accepting true love.

Master the Combined Punch

When plotting, your external goals and romantic goals shouldn’t run on entirely separate tracks. To ensure your plot and romance are intricately linked, consider fusing them into a combined skeleton blurb:

[Love Interest(s)] must [romance goal and external goal]; otherwise [romance stakes].

By anchoring your characters’ hearts to a concrete, external mission, you ensure your romance has the structure, pace, and friction it needs to keep readers turning pages all night long.

To learn more about Happily Ever Afters and other romance topics, pick up a copy of Secrets to Writing a Romance. 

Post Written by Linda O’Donnell

Linda O'Donnell

Linda O’Donnell is a writer, certified structural editor, certified copy editor, and a writing and editing instructor. She co-authored Secrets to Writing a Romance and Secrets to Writing a Novel with Kristina Stanley. Linda’s contemporary romance novel, Behind the Scenes, is coming out soon.

Crafting the Perfect Crime

~ Kristina Stanley ~ Leave a comment

Why Victims and Culprits are the Heart of Your Mystery

Are you struggling to capture your story in your skeleton blurb? In Secrets to Writing a Mystery, we dive deep into the mechanics of suspense to help you find your mystery. 

One of the most vital lessons for any aspiring detective novelist is understanding that a crime is only as compelling as the people involved. To create a page-turner, you must look beyond the “what” and focus on the “who.”

The Myth of the Innocent Victim

A common mistake in early drafts is treating the victim as a mere prop, a body on the floor meant only to kick off the investigation. However, the most memorable mysteries feature victims whose own actions, flaws, and “fatal flaws” directly contribute to their demise. When a victim has agency, they create the very motives, opportunities, and means that lead to the crime.

Take, for instance, the blackmailing Niall in Murder in an Irish Village or the cruel, drug-dealing Andie in A Good Girl’s Guide to Murder. These aren’t just targets; they are catalysts. By giving your victim a complex, perhaps even morally gray history, you naturally generate a wider pool of suspects and more visceral motives. When you assign these traits, you ensure your victim isn’t just a statistic, but the engine of the story.

Humanizing the Culprit

Just as the victim shouldn’t be a saint, your culprit shouldn’t be a cartoon villain. Pure greed or inexplicable rage can feel thin to a modern reader. The most chilling and effective murderers are those driven by deeply human, relatable stakes: protection, desperation, or a twisted sense of justice.

Think of Alex in Vera Wong’s Unsolicited Advice for Murderers, who kills to protect others from his son’s predatory behavior, or Ian Hind in Missing, Presumed, whose desperation to maintain his professional facade leads to a fatal choice. When a reader can understand, even if they don’t condone, the “why” behind the killer’s actions, the mystery gains a layer of tragic depth that lingers long after the final page.

The Mystery Skeleton Blurb Uncovered

Developing these complex dynamics is just the beginning. You can turn these character studies into a tight mystery skeleton blurb and eventually a full-length novel. The interplay between your culprit and your first victim can give you the first version of your skeleton blurb. With this information, you know what crime the sleuth must solve. You may also have a glimmer of how far the culprit will go to hide their crime, leading to potential stakes if the sleuth can’t uncover the culprit. 

My next blog will focus on introducing the five key scenes that create the main structure for your mystery novel. If you can’t wait, pick up a copy of Secrets to Writing a Mystery today and start building a crime that no reader can put down!

Until next time, Lisa.

From the moment the children’s librarian walked a young bookworm upstairs to the Adult Department and introduced her to the mystery section…Lisa Taylor has been hooked on the genre.

For years, Lisa was an educator and librarian, honing her skills in helping readers and writers develop with curiosity and creativity. Now as an editor and writing coach, Lisa works with a small publishing house as well as being a Fictionary Certified StoryCoach Editor and Certified Instructor.

Secrets to Writing a Mystery is Lisa’s first published book. Along with editing and coaching, she is currently writing an amateur cozy mystery series set in Northern Ontario.

Want to Learn to Self-Edit?

Join the Fictionary School for Writers and Editors

How to Structure a Commercially Successful Novel

~ Kristina Stanley ~ Leave a comment

Want to write a bestseller? We’ve got a free webinar just for you.

Learn the fundamental structure of a commercially successful novel.

Are you tired of staring at a manuscript that feels “stuck”? Most stories don’t fail because of the prose; they fail because the structural foundation isn’t strong enough to support the weight of the reader’s expectations.


Join us for a deep dive into the five non-negotiable structural pillars that turn a good idea into a page-turning commercial success.


The 5 Essential Scenes Breakdown


1. The Inciting Incident: The Shake-Up

The Reader Hook: If nothing changes, there is no story.

2. Plot Point 1: The Point of No Return

The Protagonist’s Commitment: This is where the protagonist steps out of their comfort zone and into the unknown.

3. The Midpoint: From Reactive to Proactive

The Pivot: A “False Victory” or “False Defeat” shifts the stakes entirely.

4. Plot Point 2: The “All Is Lost” Moment

The Crisis: This is the character’s lowest ebb, testing their growth and resolve.

5. The Climax: The Final Confrontation

The Payoff: The highest point of tension in your novel.

Get that bestseller started.

Sign Up Today

Presenters

Ramona Pina

Senior Publishing Specialist, Bookbaby

Ramona Pina is a seasoned publishing expert with over eight years of experience in both independent and traditional publishing. As an author herself, she brings a comprehensive understanding of the industry from every angle, guiding writers through the publishing process with strategies tailored to align with their unique goals and creative vision.

Kristina Stanley

CEO Fictionary

Kristina Stanley is the founder and CEO of the Fictionary: The complete fiction writing ecosystem with powerful storytelling software, live classes from certified editors, and the kindest community in genre fiction. She is an award-winning author of both fiction and non-fiction books as well as being a structural editor.

Romance Novels and the Protagonist’s Wound

~ Kristina Stanley ~ Leave a comment

Why the Protagonist’s Wound Is the Beating Heart of Every Romance

Every romance novel begins with a promise: two people will find their way to love. But beneath the banter, chemistry, and swoony moments lies the true engine of the story—the protagonist’s wound, misconception, or flaw. This internal struggle is what gives a romance its emotional weight, its stakes, and ultimately, its meaning.

In a romance, the protagonist isn’t just moving through plot beats; they’re pursuing a story goal that is shaped, and often distorted, by the wound they carry. Until that wound is confronted and healed, love cannot truly take root.

This is why identifying your protagonist early matters so much. Before you can outline or draft effectively, you need to know whose emotional journey the reader is meant to follow. One of the simplest tools for doing this is the skeleton blurb, a single sentence that captures the protagonist’s goal and the stakes attached to it:

[Love interest] must [story goal]; otherwise, [the stakes].

When you write a skeleton blurb for each character, the wound becomes visible. The character’s misconception shapes the goal they believe they want, while the stakes reveal exactly what they fear losing if they fail.

If the characters have different goals, one character’s emotional arc will naturally dominate—and that character is your single protagonist. But if both characters share the exact same romance goal and stakes, you are writing a combined protagonist.

Regardless of your book’s structure, the wound is the compass. Every major scene, starting with the first scene, must impact the protagonist in a clearly positive or negative way. These scenes aren’t just plot points; they are emotional pressure points that force your characters to confront the beliefs holding them back from love.

Consider how this plays out in modern romance, depending on how you choose to frame the journey:

  • The Single Protagonist (The Bodyguard by Katherine Center): Hannah is the sole POV character. The reader only gets her interpretation of the hero’s feelings. Whatever tension Hannah feels because she doesn’t know what her love interest is thinking, the reader feels it too.
  • The Combined Protagonist (The Flatshare by Beth O’Leary or The Wedding Date by Jasmine Guillory): Both love interests share the spotlight with a balanced scene split. Because they share a unified romance goal, they function as a combined protagonist. This creates a wonderful knowledge gap where the reader knows what both characters are thinking, creating high tension because we can see the misunderstandings coming long before the characters do.

Whether you choose a single or combined protagonist, the core principle remains the same: the romance doesn’t work unless the wound does. A romance isn’t just about two people coming together, it’s about the protagonist becoming someone capable of receiving that love.

So, as you plan or revise your manuscript, return to the wound. Name it. Understand how it shapes your protagonist’s worldview, and then let every scene, every conflict, every moment of connection, every setback, push them toward healing. Because when the protagonist transforms, the love story transforms with them.

To learn more about Happily Ever Afters and other romance topics, pick up a copy of Secrets to Writing a Romance. 

Post Written by Linda O’Donnell

Linda O'Donnell

Linda O’Donnell is a writer, certified structural editor, certified copy editor, and a writing and editing instructor. She co-authored Secrets to Writing a Romance with Kristina Stanley, and together they are working on their latest book, Secrets to Writing a Novel. Linda’s contemporary romance novel, Behind the Scenes, is coming out soon.

Secrets to Writing a Novel: Now Available

~ Kristina Stanley ~ Leave a comment

We’ve all been there: staring at a manuscript that feels more like a jumbled ball of words than a coherent story. You have the talent, but sometimes the approach turns the project into an impossible mountain to climb.   

Today, we’re thrilled to announce that Secrets to Writing a Novel: The Fictionary Method is officially live and ready to help you turn that mountain into a molehill. 

Write Novels That Sell

Why This Book is Your New Secret Weapon

This isn’t just another writing guide; it’s a repeatable method to ensure your first draft is as structurally sound as another writer’s fifth revision. K. Stanley and L. O’Donnell break down the “Deep Structure” secrets that keep readers hooked from word one: 

Key Actions Before Writing: Create a story vault—a central hub to store narrative strategy, word‑count goals, and artistic decisions—to keep your drafting process sharp and intentional.


The 5 Core Story Arc Scenes: Every page-turner shares one universal factor: it is structurally sound. Create this foundation and never write a filler scene again.  


Story Arc Clusters: Learn how to surround your major plot points with strategic scenes to build deep reader empathy and maintain momentum. Plotting isn’t just about big moments. It’s about connecting those moments.


The Anatomy of a Sensational Scene: Use our 5-point structure to ensure every unit of your story is working hard for your plot.  Whether you are a pure discovery writer or a comprehensive plotter, this book is designed to give you the gift of a good story without taking years to write it.   

Grab your copy today: https://mybook.to/WriteANovel

Want More?

Are you ready to stop thinking about your novel and finally get it written? You can accomplish this by July 2026 if you really want to. Take our Write Your Novel Course and read Secrets to Writing a Novel at the same time. Theory and live classes are the best combination.

At Fictionary, we know that the biggest hurdle for serious writers isn’t a lack of story ideas—it’s the lack of a clear writing roadmap and helpful support. That’s why we’ve designed our Write Your Novel Course specifically for writers who are ready to commit to finishing their draft novel in just 8 weeks. Secrets to Writing a Novel is the course textbook.

The course includes best-in-class storytelling software, live classes that get rave reviews, and the kindest community in genre fiction.

The course is only $69 /month (USD). We are so confident that you will love the Fictionary writing experience that we are offering your first month for free.

Course starts May 26th

Tuesday May 2, 11:00 AM – 12:00 PM EDT, Each class is one hour.

Stop stalling and start drafting. Let’s write a novel that sells.

We hope to see you live in our classes.

With kindness,

The Art of the Mystery Skeleton Blurb

~ Kristina Stanley ~ Leave a comment

Are you struggling to pin down the heart of your mystery novel? Every great detective story starts with a clear promise to the reader. In Secrets to Writing a Mystery, we peel back the layers of plot construction to reveal the most powerful tool in a writer’s arsenal: the skeleton blurb.

What is a Skeleton Blurb?

A skeleton blurb is a single sentence that captures the core of your plot. It’s the “why” that keeps readers turning pages. Without a solid focus, your mystery can become a collection of clues without a compass. To create a skeleton blurb, you must decide on three mandatory elements: the protagonist, the goal (solving the crime), and the stakes.

Think of it as this simple formula: [Protagonist] must [solve the crime]; otherwise, [stakes if the protagonist fails]. Whether it is a professional cop or a detective like Sherlock Holmes or an amateur sleuth like Miss Marple, the goal is always to uncover the truth before the stakes catch up to them.

For a mystery novel, the formula tightens to [Sleuth] must [solve the crime/discover the culprit]; otherwise, [the culprit will commit more crimes/the protagonist may become a victim].

In my last blog, we dove into the mandatory mystery cast with an even closer look at the protagonist. As you create your skeleton blurb, consider how the cast impacts your decisions. What is the crime the culprit has committed? What was the motivation? How is the victim integral to the crime? What weaknesses or traits made them a target?

Adding Depth: Subplots

But a mystery isn’t just about the crime; it’s about the friction in the protagonist’s life. Secrets to Writing a Mystery teaches you how to use additional skeleton blurbs to explore subplots.

  • Protagonist’s Subplots: These involve the same protagonist. In our book, we show how these goals—like keeping a bistro open while solving a murder—add pressure and misdirection to the main story.
  • POV Characters’s Subplots: These follow a different character with a separate goal. They serve to support or complicate the sleuth’s journey, providing a lock on the reader’s attention.

Your Path to a Professional Plot

Developing these blurbs is a critical task. It requires you to consider the “why” behind the culprit’s actions and the “what” behind the victim’s targeting. When you master the skeleton blurb, you master the plot. Remember, as you draft your mystery, you may decide to revise your skeleton blurb to more clearly reflect the story you are telling. It could be fun to keep track of your changes as you go through the process. You can look back and see your creative process at work.

By the time you finish Secrets to Writing a Mystery, you’ll have a “vault” of focused sentences that guide your writing from the first chapter to the final twist.

Are you ready to crystallize your mystery? Start building the skeleton of your next bestseller and watch for the next blog to develop your plot through five essential scenes that form the spine of your story.

Remember, Secrets to Writing a Mystery is available if you can’t wait a month for the next blog. We want to help you because we are excited for you to write your mystery…so we can read it.

Until next time, Lisa.

From the moment the children’s librarian walked a young bookworm upstairs to the Adult Department and introduced her to the mystery section…Lisa Taylor has been hooked on the genre.

For years, Lisa was an educator and librarian, honing her skills in helping readers and writers develop with curiosity and creativity. Now as an editor and writing coach, Lisa works with a small publishing house as well as being a Fictionary Certified StoryCoach Editor and Certified Instructor.

Secrets to Writing a Mystery is Lisa’s first published book. Along with editing and coaching, she is currently writing an amateur cozy mystery series set in Northern Ontario.

Want to Learn to Self-Edit?

Join the Fictionary School for Writers and Editors

The Secret to Bestselling Fantasy: The External Plot

~ Kristina Stanley ~ Leave a comment

In The Magic of Opening Images and First Chapters, we looked at the power of the opening image—that first glimpse that hooks a reader and promises a journey worth taking. But once you’ve hooked them, how do you keep them?

The answer lies in the External Plot.

Every story needs a visible, tangible goal. It’s the movement of the protagonist through the world. While internal growth is beautiful, the external plot is the engine. It’s the answer to the reader’s subconscious question: What is this person actually trying to do, and what happens if they fail?

In fantasy, where the worlds are vast and the magic is complex, it’s easy to get lost in the weeds. That’s why I want to introduce you to a tool we use at Fictionary: The Skeleton Blurb.

What is a Skeleton Blurb?

A skeleton blurb isn’t the flashy copy you see on the back of a book. It’s a structural tool for you, the writer. It’s the shortest possible version of your story that answers three vital questions:

  1. Who is the protagonist?
  2. What is their goal?
  3. What is at stake?

Think of it as the North Star for your manuscript. If a scene doesn’t move your protagonist closer to that goal or raise those stakes, you have to ask yourself: Does this scene really belong?

The Fantasy Layer: More Than One Skeleton

Fantasy writers have a unique challenge. Often, a “real-world” goal isn’t enough. You might need multiple skeleton blurbs to keep your subplots on track. At a minimum, you’ll likely have an External Plot (the physical journey) and a Supernatural Plot (the magical journey). We’ll cover the supernatural plot next month.

Take Fourth Wing by Rebecca Yarros. Violet Sorrengail doesn’t just have one problem.

  • External: She must survive the Riders Quadrant; otherwise, she’ll die as a cadet.
  • Supernatural: She must control her signet; otherwise, she can’t protect the borders.

By separating these, you ensure every “layer” of your story has a beginning, middle, and a satisfying climax.

Identifying Your True Protagonist

Before you can write your blurb, you must be certain who your protagonist is. This sounds simple, but in complex fantasies with multiple Point of View (POV) characters, it can get murky.

We look at the data:

  • The Opening Image: Usually, the character we meet first is our lead.
  • Scene Count: Who owns the most “real estate” in your book?

In The Unbroken by C.L. Clark, we have two strong characters: Touraine and Luca. However, Touraine owns 60% of the scenes and leads the opening. She is our single protagonist.

In contrast, look at A Game of Thrones. George R.R. Martin uses a Group Protagonist strategy. No single character’s goal encompasses the whole story. Instead, the skeleton blurb belongs to the collective: The humans must choose who sits on the throne; otherwise, the kingdoms will fall apart.

Build Your Own

Are you writing a single protagonist story like Twilight or A Court of Thorns and Roses? Or are you weaving a massive ensemble?

Whatever your path, I challenge you today: Write your External Plot Skeleton Blurb. 

Protagonist [Name] must [Goal]; otherwise, [Stakes].

If you can’t fit your plot into that sentence, your story might be missing its bones. Get the skeleton right, and the rest of the body will follow.

Secrets to Writing a Sci-Fi Novel

~ Kristina Stanley ~ 2 Comments

I’m super excited to announce Alexandria Yandt has accepted my offer to co-author Secrets to Writing A Sci-Fi, the 9th book in the Write Novels That Sell series.

Alexandria is a Fictionary Certified StoryCoach editor and instructor. She brings with her a strong knowledge of story structure and the science fiction genres. She writes both historical romance and science fiction with, you guessed it, a romance subplot.

Key Details:

  • Series: Write Novels That Sell (Book 9)
  • Authors: Alexandria Yandt & K. Stanley
  • Expected Release: 2027

We’ll keep you updated on upcoming events in Fictionary that teach how to write a science fiction novel.

Please join me in welcoming Alexandria to the team.