As a writer, you’ve probably read there are recommended lengths for a manuscript depending on the genre you write in. We’ve done some research and thought we’d share that with you.
In order of length, word count guidelines for a few of the popular genres are:
- Novellas: 20,000 to 30,000

- Middle Grade: 25,000 to 40,000
- Romance: 40,000 to 100,000
- Young Adult: 50,000 to 80,000
- Mysteries, thrillers, and suspense: 70,000 to 100,000
- Paranormal: 75,000 to 95,000
- Fantasy: 90,000 to 100,000
- Horror: 80,000 to 100,000
- Science Fiction: 95,000 to 125,000
- Historical: 100,000 to 120,000
Genre length may vary with different publishers, so check submission guidelines carefully. If you’re self-publishing, readers of the genres have come to expect a certain word count, and you don’t want to disappoint them, so think about the word count and make a conscious decision on the length of your novel.
But what about word count per scene?
When you’re about to begin a big-picture edit, you may wonder if counting the number of words per scene is important. We think it is, and we’ll tell you why.
Scene Emphasis
After you’re happy with the total word count for your novel, it’s time to evaluate how your word count is spread across your scenes.
By counting the words in each scene, you can see where you are putting emphasis and where you are not. Without knowing the specific word count, you don’t have a method to know if a critical scene is too short or a minor scene is too long.
Patterns
Some authors like to write scenes of the same length for the entire novel. Others vary the scene word count. The choice is yours, and you can use it to your advantage if you evaluate the per scene word count from a big-picture view.
If you follow a pattern (same word count per scene) throughout your novel and one scene is way longer than the rest of your scenes, make sure this is the climax scene. If it’s not, you probably have too many words in the scene.
How I Used Word Count To Improve My Novel
You can see in the Word Count Per Scene graph below, that scene 2 in chapter 3 is over 6000 words long. The other scenes in the novel are all under 2000 words. I discovered this during my big-picture edit of DESCENT (my first novel).
This was a scene early in the novel where my main protagonist, Kalin Thompson, moves to Stone Mountain Resort. In great detail, the scene described Kalin moving into her new apartment. After I looked at the word count, I realized I’d written the scene to give the reader a feel for resort life. Nothing much happened in the scene to move the plot forward.
I knew I needed to fix this. Instead of putting the details in one scene, I cut the scene and sprinkled the details throughout the other scenes.
This improved the story by eliminating an info dump but still leaving in details that showed the reader what it’s like to move to a ski resort. If I hadn’t reviewed the word count of the scene in the context of the other scenes, I might have missed this.
How The Feedback App Will Help
Depending on the software you use to write your novel, counting the words in each scene can be a time-consuming exercise.
For example: In Microsoft word, you’ll highlight each scene and look at the word count displayed at the bottom of each page. In Scrivener, it’s a little easier. The word count is displayed at the bottom of each screen if you’ve broken your text into scenes as you write. In either case, you’ll have to keep track of the word count and evaluate it from a manuscript level.
The Feedback app will automatically break your novel into scenes and create a report showing you how many words are in each scene. You’ll be shown a graph, and can easily see where you need to focus on word count. Word count is one of the Key Elements Of Fiction the app uses to help you perform your own big-picture edit.
The Feedback App will also show you the breakdown of scenes per chapter. We’ll talk about this in another blog.

Download our free eBook, BIG-PICTURE Editing And The Key Elements Of Fiction and learn how big-picture editing is all about evaluating the major components of your story. We call these components the Key Elements Of Fiction. Our eBook shows you how to use the key elements of fiction to evaluate your story and become your own big-picture editor.
Source: Big-Picture Editing and Word Count Per Scene – Feedback For Fiction


Lily Black believes in true love, but is also quite sure going after it is the scariest thing we’ll ever do! She explores this dynamic in her romantic suspense novels, which are set in the small imaginary town of Willowdale, where people dream big, love deeply, and kick butt if necessary. She has a black belt in Chung Do Kwan Tai Kwon Do, and has also trained in everything from judo to broadswords. She lives in North Carolina, where she works as a content editor for a small publisher, and divides her free time between the mountains and the sea with her very patient and loving husband and their teen daughter. She is also the co-creator of the Book Ninjas’ Blush-O-Meter. Readers everywhere search the Book Ninja’s online catalog for romance, YA and chicklit novels in all genres, and find books that match their blush level!
Love is worth fighting for.
Mystery Thriller Week
My latest work is a short story in the Western anthology, The Posse. “Bad Day at Round Rock” is a historical fiction story written in overlapping segments about four people whose lives are changed by a cache of twenty-dollar gold pieces that the outlaw Sam Bass stole in a train robbery. The story is chockfull of history, mystery, myth, greed, and love…as is the rest of the anthology. Seven authors contributed short stories to The Posse. All are human interest tales but with all the action you expect in a story about the Wild West.
Author cj petterson is the pen name of Marilyn A. Johnston. As cj, she writes contemporary romance novels as well as fiction and non-fiction short stories that have appeared in numerous anthologies. She has served as judge for the Romance Writers of America’s Daphne du Maurier contests. Her works-in-process include a mystery series that features private detective Jannicka “Jake” Konnor.

I started writing in 2004 after I stayed in a remote old house on Exmoor which is located on the South West coast of England. The remote location along with the odd happenings I experienced made a significant impression. The caretaker’s stories of both the resident ghost and other related visitor reports fueled my imagination further, and so began the gothic vampire trilogy that were to be my first three novels.
Jane was born in England, and grew up exploring the history and culture of London and surrounding counties. In the 1990’s she immigrated to Detroit, USA, eventually settling in South West Florida. She returned to England after a fifteen-year absence, to spend six years in the South West of England living on Exmoor. Here, inspired by the atmosphere, beautiful scenery and the ancient history of the place, she began writing.