Mystery Mondays: Jennifer Leeper on the Emotions Punch Of Short Stories

Today on Mystery Mondays, we’re doing something a little different. Author, Jennifer Leeper is here to talk about short stories. I think this is the first short story collection I’ve hosted, so it’s a bit of a thrill for me. Enjoy!

Short, Not Small by Jennifer Leeper

515-HrYG7AL._SX322_BO1,204,203,200_Whether you’re a reader or writer of short stories, you know they can offer as much of an emotional gut punch or brain rock as a 300,000-word tome. Collections of short stories offer authors and readers the chance to quickly dive deep into the lives of characters and repeat this experience over and over between two covers. My latest collection, Border Run and Other Stories explores many characters within a relatively short word span, and I’m privileged to take you on a sampling tour here of these vastly different character worlds.

If the shoe fits

 In The Shoes, Carlos finds a letter from his abuela, who recently passed away, and in the letter she charges her family with conscientiously distributing her hoard of shoes. They can’t simply dump the house-sized pile of footwear at a thrift store, but must match each pair with the right feet. Not only does Carlos, his sister, and parents find it difficult to marry the shoes to wearers, but the result of hastily discarded pairs of shoes results in a horrific series of events that irreparably alters the lives of Carlos and his family.

The dead live on

In Book of the Dead, Violet Mora finds the “bucket list” Luca Barnes, the boy who bullied her in high school in the ashes of his family’s house that burned down after Luca fell asleep with a lit cigarette in his mouth. In the spirit of revenge, Violet decides to work her way through Luca’s list herself. Instead of revenge, however, Violet encounters Luca’s twin, Dominic, as she completes Luca’s objectives, and she experiences more than she bargained for when she took on Luca’s list.

 Take this job and shove it

In The Vortex, a man has been writing the same resignation letter in his head for years but he never actually submits it to his boss. Then, one day he decides to erase thousands of emails with one mouse click. He is set free and set off course all at once.

Though there are threaded themes of redemption, loss, and mortality across the 14 stories of this collection it’s the character development that allows each piece to stand apart. It’s not the word count that matters, but how words are used to bring lives on the page to life that counts.

Who Is Jennifer Leeper:

f792d207c31f8ddac4e71e9aaa583014_400x400Ms. Leeper is an award-winning fiction author who’s publications credits include Independent Ink Magazine, Notes Magazine, The Stone Hobo, Poiesis, Every Day Fiction, Aphelion Webzine, Heater magazine, Cowboy Jamboree, The New Engagement, Alaska Quarterly Review and The Liguorian.

She has had works published by J. Burrage Publications, Hen House Press, Inwood Indiana Press, Alternating Current Press, Barking Rain Press, Whispering Prairie Press, and Spider Road Press.

In 2012, Ms. Leeper was awarded the Catoctin Mountain Artist-in-Residency, and in 2013, Ms. Leeper was a Tuscany Prize Novella Award finalist through Tuscany Press for her short novel, Tribe. Ms. Leeper’s short story Tatau was published in the journal, Poiesis, and was short listed as a finalist for the Luminaire Award in 2015, and nominated by Alternating Current for Queen’s Ferry Press’ Best of Small Fictions of 2016 Prize. In 2016,

The Saturday Evening Post honored Ms. Leeper’s short story Book of the Dead with an honorable mention in its Great American Fiction Contest. Ms. Leeper’s short story The Bottle won second place in the Spider’s Web Flash Fiction Prize through Spider Road Press.

You can find Border Run and Other Stories at Barking Rain Press: http://barkingrainpress.org/border-run/ and Amazon. You can find Jennifer  and her other fiction on Twitter @JenLeeper1 or at her author website:

 

Mystery Mondays: Janet Elizabeth Lynn on Researching A Novel.

Today we welcome Janet Elizabeth Lynn to Mystery Mondays. Will Zeilinger his going to sneak in here too! I think this a a first for Mystery Mondays – a couple co-authoring novels. They are here with a new release and an essay about research.

Researching Hollywood 1950s

The Feminine and the Dignified by Janet Elizabeth Lynn

My husband, Will Zeilinger, and I write the Skylar Drake Murder Mystery series set in 1955 in Hollywood.  Private Investigator, Skylar Drake, hunts down murders in the Los Angeles area while working as a stuntman for the movie studios. Though the stories are hard-boiled, Drake also lives in the era which required us to research the life and times of Los Angeles mid 1950s.

While researching this period we had to carefully scrutinize the clothes, cars, politics, music, movies and (of all things) weather for each book. The fun part of the research are the clothes. Dressing our Femme Fatales for daytime and evening, as well as the men has been a real kick.

We discovered the hardships of returning War II and Korean War veterans beginning careers and marrying. Women were expected to give up their wartime careers to become homemakers and mothers. Because of this, there was a move toward a more feminine look for women and dignified look for men. There was also a desire to indulge in luxury, after the years of wartime deprivation and rationing.

Desert Ice, released this January, is the third in the series. And, yes we are still married!

 

WHO ARE Janet Elizabeth Lynn and Will Zeilinger

BW Janet Bill 01Published authors Janet Elizabeth Lynn and Will Zeilinger had been writing individually until they got together and wrote the SKYLAR DRAKE MURDER MYSTERY Series.

These hard-boiled tales are based in old Hollywood of 1955.  Janet has published seven mystery novels and Will has three plus two short stories. Their world travels have sparked several ideas for murder and crime stories. This creative couple is married and live in Southern California.

 

 

DESERT ICE

Desert Ice front cover _Web

In 1955, a missing Marine and stolen diamonds lead Private Eye Skylar Drake to Sin City, where the women are beautiful and almost everything is legal—except murder.

The FBI and a Las Vegas crime boss force him to choose between the right and wrong side of the law. All the while, government secrets, sordid lies and trickery block his efforts to solve the case.

Common sense tells him to go back to L.A. but is gut tells him to find his fellow Marine.

 

 

Find Out More:

Janet Elizabeth Lynn http://www.janetlynnauthor.com/

Will Zeilinger http://www.willzeilingerauthor.com/

Desert Ice on Amazon.

Mystery Mondays: Author Carolyn Mulford on 10 Common Mistakes

Today on Mystery Mondays I have the pleasure of hosting Carolyn Mulford. Carolyn writes mysteries and historical novels and has some sage advice on making your first draft better. At the end of this post, you’ll find a giveaway…

Beware 10 Common Mistakes by Carolyn Mulford

Working as a magazine editor, I observed that most of my well-educated contributors made the same types of mistakes in content, structure, and syntax. Then I started my transition from writing short nonfiction to writing novels. By the time my first mystery, Show Me the Murder, came out, experience in rewriting my own novels and in critiquing other writers’ work convinced me that most mystery writers also err in the same ways.

I share 10 errors common in first drafts—and sometimes the second and third. Even a newbie won’t go wrong on all of them, but even a veteran must guard against one or two.

The types of errors differ in the manuscript’s three major sections: the opening (two to four chapters), the middle (twenty to thirty chapters), and the ending (three to five  chapters).

The opening chapters

You have to grab readers fast, preferably on the first page, and keep a firm grip on them through the opening chapters. These set the tone and establish your voice for the entire book. Watch out for these problems.

  1. A lengthy backstory

Reveal only absolute essentials about your protagonist in the first chapter. Details delay the story. Later drop in the necessary backstory in phrases or sentences.

  1. Long descriptions of the setting

Select only telling details that put the reader in the time and place and establish the mood.

  1. A prologue revealing a dramatic point late in the book

Often writers use this kind of prologue, or a flashback, because the beginning lacks excitement. Consider making the prologue part of chapter one or starting the story closer to the murder.

  1. Multiple characters

How many names do you remember after a cocktail party? Readers can’t remember more than that. Introduce your protagonist immediately as readers identify with those they meet first.

 The middle chapters

We agonize over the crucial opening and lose steam in the much longer middle, the heart of the investigation and of character development. Worry about readers putting the book down at the end of a chapter. Each chapter must motivate them to read on, so avoid the following.

  1. A lack of action

Something must happen in every chapter. Check that by writing chapter headlines. Be sure you have a plot point and conflict—in solving the crime, in reaching the protagonist’s goals, in personal and professional interactions.

  1. Clues or characterizations that reveal too much

Drop in little clues here and there rather than big ones bunched together. Present three or four viable suspects and speculate on at least two motives. Draw suspects in gray rather than black and white.

  1.   Indistinguishable characters

Give each named character a memorable characteristic—appearance, mannerism, speech pattern, etc. For me, one of the great challenges and delights is portraying each character through distinctive dialogue, which involves vocabulary, grammar, syntax, and rhythm.

 The final chapters

Readers will condemn the whole book if the ending doesn’t satisfy them. They feel cheated if the solution shocks rather than surprises or characters act out of character. Readers’ frustration often comes from the following mistakes.

  1.   The first indication of the villain and the motive

From the beginning on, insert the character traits and the facts—at minimum the classic motive, means, and opportunity—needed to solve the crime. The last piece of the puzzle, or an interpretation of it, comes near the end, but clues and red herrings pop up all the way through.

  1.   Illogical, coincidental, or incredible solutions

You want readers to say, “Oh, of course. Now I get it.” Mystery readers require the writer to play fair in telling them what they need to know to solve the crime. They also expect justice.

  1. Villain reveals all

If the bad guy has to explain why and how, you need to go back and insert clues. Remember to wrap up all the loose ends, starting with the subplots. If you’re writing a series, readers accept an obvious loose end (often involving a relationship) that propels them into your next book.

Writing a mystery gives us countless opportunities to lose our readers, an intelligent and demanding group. Writing and rewriting with these 10 common mistakes in mind may help retain their attention.

One other thing that years of writing both nonfiction and fiction has taught me: If I become bored or restless in either writing or reading my own work, it’s time to rewrite.

Mulford18csmallWho Is Carolyn Mulford?

Carolyn Mulford worked on five continents as a nonfiction writer/editor before turning to fiction. Her award-winning Show Me series features Phoenix Smith, a former CIA covert operative who returns to rural Missouri and adapts her tradecraft to solve crimes with old friends and a K-9 dropout.

You can read the first chapters of her five mysteries and two YA historicals on her website: http://CarolynMulford.com.

 

Show Me the Sinister Snowman:

perf6.000x9.000.inddNorth Missouri has seldom been snowier and the mysteries more perplexing than in Show Me the Sinister Snowman, the fifth novel in Carolyn Mulford’s Show Me detective series.

Was the ailing congressman’s death an accident, suicide, or perhaps even murder?  And if it was murder, could it be that he was the wrong victim and the murderer might be poised to strike again?  The questions and perils build up, but retired CIA operative Phoenix Smith—with help from her faithful canine assistant, Achilles—is on the case.  We watch as the action zeroes in on a snow-bound estate to provide a new twist on the classic country house mystery.

 

More on Carolyn:

Go to Goodreads by April 2 to enter a giveaway of Show Me the Sinister Snowman. The giveaway begins March 24th, so be sure to check out Carolyn’s Goodreads page.

Cave Hollow Press, March 31, 2017, $14.95 (trade paperback) and $3.99 (e-book), 290 pp.; ISBN: 978-0-9713497-9-7.

((Five Star published the first four in the series: Show Me the Murder, Show Me the Deadly Deer, Show Me the Gold, Show Me the Ashes.))

 

 

 

 

Mystery Mondays: Author P.J. Lazos on Writing Exercises

Today on Mystery Mondays we welcome author P.J. Lazos. Also known as Pam, she wrote OIL WATER,  about oil spills and green technology. She’s also an environmental lawyer, so I’m guessing she knows what she’s writing about. Sound interesting? You can find out more after her guest post.

If you need help getting your creativity working, this is the blog for you. Over to Pam.

A Prompt Prompt Prompted Me Promptly by P.J. Lazos

Prompt. The word is fascinating and versatile. It’s a noun, a verb, an adjective and an adverb. Holy guacamole, how often does that happen? It’s like winning the EGOT — Emmy, Grammy, Oscar, and Tony, a laudable goal shared by only 12 lucky and hardworking people. It makes you wonder, is there anything a word like that can’t do? (I found a blog post on the internet that listed 56 similarly situated words (https://onweb3.wordpress.com/2013/08/14/663/); prompt hadn’t made the list.)

I wish I would have thought of prompt during one of the timed writing exercises I used to do with a friend in the now defunct Borders cafeteria. We’d sip fancy coffees and rip small strips of paper from our notebooks, then write one word down on each slip of paper, three nouns, three verbs and three adjectives, eighteen slips of paper total, separated into three different piles. (We left out adverbs. Call us prejudiced, but we just didn’t see the need.) We’d pull a word from each of the piles and do timed exercises of five, ten, and fifteen minutes.

The rules were simple. Write until your hand falls off. Haha! No, actually, it was write using one word chosen from each of the three piles for the prescribed minutes without stopping: not to ponder a plot twist, not to reach for a word that was escaping your pen, not even to go to the bathroom. It was invigorating and imaginative, and it shushed the internal editor more succinctly than any of the other writing exercises I’d tried. Sometimes we’d tweak the rules, adjusting the time or using twice as many words, but the basic premise was the same. This simple writing prompt fueled the basis for scene after scene of a novel that would eventually become “Oil and Water,” but it also taught me something about the craft of writing: imagination is like every other muscle in the body; you need to flex it if you want to keep it in shape. For me, writing prompts facilitated my workout.

So much of our day is spent elsewhere, unconsciously trolling the past or hypothesizing about the future. Cutting through the madness of life is challenging, but the here and now is where you want to be. If done with full awareness, the art of writing IMG_3209can facilitate a sacred communion with your Higher Self. When you tune in to your Higher Self, the internal editor — the one that never really stops criticizing — is silenced, brushed aside to allow the light of clarity to shine through and the quiet little voice to finally get a few minutes of air time. Don’t banish the internal editor because you’ll need him or her later in the rewrite stage — just tell them to shush up so the quiet little voice can speak.

You can also get that kind of unfettered access writing morning pages. The minute you are out of bed, write down whatever comes to you, a dream, some leftover baggage from the day, any nervousness about the day to come, all of it, and when you’re done, start the day fresh.

Here’s another one. Grab a tangerine, or an apple, the fruit doesn’t matter, or if you don’t like fruit, grab a wrench, then set a timer for fifteen minutes, more if you’re brave, and write down everything you can about the tangerine.   Notice the color, the texture, the feel of its skin against your own, the little indentation on the one side and the little nub of a branch on the other where it was plucked from its momma tree. Notice the hexagonal star pattern surrounding the little nublet — not a word, but it describes the little wooden branch remnant on the top center of the tangerine perfectly, doesn’t it? Describe the smell and whether this is what you thought the color orange would feel like. Rub it against your cheek and lips and describe the almost plastic feeling of the skin and balance it on your head and talk about the weight or how easy or hard it is to balance it there and then write a sentence with a tangerine on your head (which does great things for your posture), and talk about how hard it was to keep it from falling, and on and on until your timer goes ding and THEN, eat the tangerine and describe that, so tart, so sweet, so delicate. If you chose a wrench as your object, you’ll have to leave this last part out. The exercise is freeing because there’s really no goal other than to train yourself to observe and describe. Do it a hundred times and you’ll have mastered the art of observation and description which is all writing really is.

Got it? Great! I challenge you to choose your prompt and get to work. Your readers are waiting. You’re going to be amazing.

OIL AND WATER

51ZWliCKZqL._SX331_BO1,204,203,200_        When inventor Martin Tirabi builds a machine that converts trash into oil it sends shockwaves through the corporate halls of the oil cognoscenti. Weeks later, Marty and his wife, Ruth are killed in a mysterious car accident. Their son, Gil, a 10-year old physics prodigy is the only one capable of finishing the machine that could solve the world’s energy problems.  Plagued with epilepsy from birth, Gil is also psychic, and through dreams and the occasional missive from his dead father he gets the push he needs to finish the job.

Meanwhile, Bicky Coleman, head of Akanabi Oil is doing his best to smear the planet in it. From a slow leak in the Gulf of Mexico to the most devastating oil spill the Delaware River has ever seen, Akanabi’s corporate practices are leaving oily imprints in their wake. To divert the tide of bad press, Bicky dispatches his son-in-law and Chief Engineer, David Hartos to clean up his mess.  A disillusioned Hart, reeling from the recent death of his wife and unborn child, travels to Philadelphia to fulfill his father-in-law’s wishes.

There’s no such thing as coincidence when Hart meets Gil and agrees to help him finish Marty’s dream machine. But how will he bring such a revolutionary invention to market in a world reliant on fossil fuels and awash in corporate greed?  To do so, Hart must confront those who would quash the project, including his own father-in-law.

You’ll find murder, mystery, and humor as black as fine Arabian crude filling the pages of Oil and Water. The characters are fictional, but the technology is real. What will we do when the oil runs out?   Open up and see.

Who is P.J. Lazos?

 

IMG_9598P. J. Lazos is an environmental lawyer and author of the recently released novel, Oil and Water, an environmental murder mystery about oil spills and green technology; of Six Sisters, a collection of novellas about family and dysfunction; the creator of her lifestyle and literary blog, Green Life Blue Water (greenlifebluewater.wordpress.com); on the Editorial Board for the wH2O Journal, the Journal of Gender and Water (University of Pennsylvania) (http://www.wh2ojournal.com); a blogger for the Global Water Alliance (GWA) in Philadelphia (http://www.globalwateralliance.net), a literary magazine contributor (Rapportage); a former correspondent for her local newspaper (LNP); former Editor-in-Chief for the Environmental Law and Technology Journal at Temple Law School; a ghostwriter; the author of a children’s book (Into the Land of the Loud); an active and enthusiastic member of the Jr. League of Lancaster, and, because it’s cool, a beekeeper’s apprentice. She practices laughter daily.

Thanks for reading…

Mystery Mondays: Christina Philippou on Writing Mysteries Into Fiction

Part of the fun of Mystery Mondays is discovering new authors and new books to read. I’ve also discovered it’s a way to learn about how other authors get published. Today, Christina Philippou is here to talk to us about writing mysteries.

Her debut novel, Lost In Static is published by Urbane Publications, and this is their mission: To find the daring, aspirational, and exciting new authors, and bring them to a whole new audience.

That sounded pretty cool to me, so I thought I’d share that in case any of you are looking for way to get published.

Now on to Christina…

Writing Mysteries Into Fiction

by Christina Philippou

Hello and thank you for having me today – I am delighted to be contributing to Mystery Mondays!

My novel, Lost in Static, is a contemporary mystery so, with that in mind, I wanted to talk about writing mysteries into fiction…

Not every mystery relates to something lost, or stolen, or something overt like a secret held by a character (although many of these mysteries do appear in some form or another in my writing). Some mysteries simply relate to what the narrator or, in the case of Lost in Static, narrators know that the reader doesn’t. This may not be the traditional use of mystery in fiction, but it is becoming increasingly common.

But how do you write something that is not a mystery to you, the author, so that it appears like a mystery to the reader? The answer is not a simple one.

One method is when thLost in Static covere narrator knows something but, because it is so obvious to them, they do not actually bother explaining. This makes it increasingly frustrating for the reader. For example, in the case of one of my protagonists, we know that he is writing to someone. But who is he writing to? He doesn’t bother to tell us until quite far into the plot because he knows exactly who he’s writing to, but the reader wants to know because it potentially could (and does) affect the story.

Another method is the idea of an unreliable narrator. As Lost in Static tells the same story from four (sometimes contrasting) points of view, some narrators spin the events in a different way than others. But how can the reader work out who is telling the truth and who is lying? This becomes even more difficult when the protagonists themselves don’t realise their memory is shaky or that they don’t have the full facts.

Which brings us back to the
traditional role of mystery in fiction – the mystery that not even the protagonists are aware of the answers to because, well, they are a mystery that needs to be solved…

LOST IN STATIC

SoLost in Static covermetimes growing up is seeing someone else’s side of the story.

Four stories. One truth. Whom do you believe?

Callum has a family secret. Yasmine wants to know it. Juliette thinks nobody knows hers. All Ruby wants is to reinvent herself.

They are brought together by circumstance, torn apart by misunderstanding. As new relationships are forged and confidences are broken, each person’s version of events is coloured by their background, beliefs and prejudices. And so the ingredients are in place for a year shaped by lust, betrayal, and violence…

Who is Christina Philippou?

Christina Philippou’s writing career has been a varied one, from populating the short-story notebook that lived under her desk at school to penning reports on corruption and terrorist finance. When not reading or writing, she can be found engaging in sport or undertaking some form of nature appreciation. Christina has three passports to go with her three children, but is not a spy. Lost in Static is her first novel.

Christina is also the founder of the contemporary fiction author initiative, Britfic.

You can connect with Christina on her websiteTwitterFacebookInstagram and Google+.

Lost in Static is the gripping debut from author Christina Philippou. Whom will you trust?

Thanks for reading…

 

 

 

Mystery Mondays: Damon L. Wakes on Planning Your Novel

It’s Monday again, and we’re here with Damon L. Wakes author of Ten Little Astronauts.

Planning Your Novel by Damon L. Wakes.

Personally, I don’t like to plan my books in too much detail. Knowing (at least in your head) how you get from beginning to end is essential, but for me summarising individual scenes seems excessive: I feel as though I might as well just write the scenes themselves.

What I find does help is to take a pack of record cards and note down all the major plot points, one per card. This makes for a really quick way to put together an outline of the story, and you’re free to add or remove cards as necessary, even while you’re working. There are other advantages to this sort of plan too, but I think those are best left for another post.

I first tried this approach when writing my prehistoric fantasy novel, Face of Glass, but it proved especially handy while plotting out the twists and turns of my sci-fi murder mystery, Ten Little Astronauts, which has since been accepted by Unbound!

 

 TEN LITLE ASTRONAUTS

engine-roomThe U.N. Owen is adrift in interstellar space. With no lights, no life support, no help for ten trillion miles, it seems as though things can’t get any worse. Then, Blore finds the body.

Ten Little Astronauts is Agatha Christie’s And Then There Were None set in space. The novella takes the essence of Christie’s murder mystery and condenses it down into a tense, hard sci-fi thriller.

Ten astronauts are awoken from suspended animation to deal with a crisis on board their ship. Selected from a crew of thousands, none of them knows any of the others: all they know is that one of their number is a murderer. And until they work out who it is, none of them can go back to sleep.

With the environment of the ship itself acting as an added threat, the story progresses at a faster pace with a more rapid series of twists. Setting the mystery in interstellar space – where a radio message could take years to reach anybody – also offers an immediate explanation as to why the characters can’t simply call for help, eliminating a lot of the introductory scene-setting of Christie’s original.

Despite the futuristic setting, the world of Ten Little Astronauts conforms as closely as possible to the scientific understanding of the present day, based on extensive research drawing on everything from the ion thrusters of NASA to the vessels preserved at the Royal Navy Submarine Museum. Grounded in reality, the science fiction acts as a backdrop to a mystery that can be broken down and solved by conventional means. The characters and premise will be well familiar to fans of Agatha Christie, but the story itself is brand new.

Pledging to support Ten Little Astronauts at Unbound is more than just buying a book: it’s an opportunity to bring that book into the world. The novella is already written, but it needs your help to make it into print. Of course, there are also rewards for supporters, ranging from digital copies of the book all the way up to a writing workshop with the author.

Book Cover:

Not available yet, as that’s one of the things that the crowdfunding campaign aims to cover. However, there is this video filmed on board HMS Alliance: https://www.youtube.com/watch?v=CXjvSRTPDRs .

 

WHO IS Damon L Wakes?

unbound-portraitDamon L. Wakes was born in 1991 and began to write a few years later. He holds an MA in Creative and Critical Writing from the University of Winchester, and a BA in English Literature from the University of Reading.

Every year since 2012, Damon has produced one work of flash fiction each and every day during the month of July. He usually writes humour and horror, occasionally at the same time. Tackling so many stories with such a short word count has given him a knack for well structured narratives formed of tight prose.

When he isn’t writing, Damon enjoys weaving chainmail. He began making chainmail armour ten years or so ago, but quickly discovered that there was no longer much of a market for it and so switched to jewellery instead. He now attends a variety of craft events, selling items made of modern metals such as aluminium, niobium and titanium, but constructed using thousand year-old techniques.

Damon’s other interests are diverse. He has at various times taken up archery, fencing and kayaking, ostensibly as research for books but mostly because it’s something to do.

Links:

Website: www.damonwakes.wordpress.com

Blog: https://damonwakes.wordpress.com/posts/

Facebook: https://www.facebook.com/authordamonwakes

Twitter: https://twitter.com/DamonWakes

Goodreads: http://www.goodreads.com/author/show/6560972.Damon_L_Wakes

Newsletter: https://damonwakes.wordpress.com/newsletter/

Ten Little Astronauts: https://unbound.com/books/ten-little-astronauts

Mystery Mondays: Call For Author Guest Blogs

Promoting Reading – Promoting Authors

Mystery Mondays began in July 2015. Authors from many genres who write with a hint of mystery have told you about their books, answered your questions about writing and shared their thoughts with you.

Every Monday, you’ve be introduced to another author and maybe discovered someone you’re not familiar with.

Are you an author interested in guest blogging?

I am now accepting guest blog requests for the next few months of 2017 starting on March 27th so if you’re interested contact me here.

If you’d like to participate, here’s what you need to qualify:

  • you are a published author – traditional or Indie or any other way that I don’t know about,
  • or you are about to publish fairly soon
  • and you want to promote other authors and spread success,
  • you write novels with a hint of mystery,
  • you are willing to engage in the comments section when readers comment on your post.

All I ask from you is that you follow my blog, comment on author’s posts and help share via Twitter and Facebook.  If you’re interested send me a message via my contact page.

The Guidelines:

You’ll have to send me your bio, back text of your novel, author photo and book cover. I’d like you to write something about yourself, your novel, your research, a writing tip or a publishing tip.

Please keep in mind I am a family friendly blog. I do reserve the right to edit anything I think might be inappropriate for my audience, which I will discuss with you first. I think anything under 700 words is great, but it’s your book so up to you.

I’m looking forward to hearing from you and sharing your novel with the Internet world.