writing

Grammar: How to Learn What You Don’t Know

~ Kristina Stanley ~ 5 Comments

This is what I did.

In 2008 I attended the Humber School For Writers correspondent course. Joan Barfoot was my mentor.

The course is designed so a professional writer works with the student on a manuscript.

I thought I knew all about punctuation and grammar until Joan pointed out I didn’t know how to use a comma.

In my mind, I was using the pesky little mark correctly. But how would I know unless someone else pointed it out to me?

My point. You need someone your trust, who knows grammar and punctuation, to give you an honest review of your talent.

Then . . .

STUDY STUDY STUDY

Perfection doesn’t come for free.

Do you have any tips for figuring out what you don’t know?

Thanks for reading . . .

Authors helping Authors

~ Kristina Stanley ~ 8 Comments

Are you interested in helping authors get the word out about their books?

I am. If I read a book I like  or see a notice from an author I like about their new book I try to help.

I put the word out on the following social media sites.

  • Facebook
  • Twitter
  • Smashwords
  • Goodreads
  • Pinterest

Why do I do this? I love to read. I love to promote reading. And this is an easy way to encourage others to read and help an author at the same time.

Are there other ways you help promote authors?

Thanks for reading . . .

Can You Proofread to Perfection?

~ Kristina Stanley ~ 13 Comments

And should you try?

If you’re  submitting your manuscript to your agent, publisher, editor, or beta readers, absolutely. If you’re interested in the process  I use for this, click here.

But what if you’re proofreading your blog before posting?

Maybe you could give yourself a break. I think the occasional typo is okay. Usually a kind reader will point out an error, sometimes even via a private email. The beauty of the blog versus a novel: it’s easy to update after publication.

I usually thank the person who pointed out my error, update the blog immediately, and move on.

Four steps to get close to perfection:

  1. Read once before posting draft.
  2. Read a preview version. Somehow seeing the blog in the format it will be posted helps me see it differently, and I usually pick up a typo or two.
  3. Read the blog out loud or have the computer read it to me. Then I can hear the error if my eye refused to see it.
  4. If I have the time, I let some time pass and read the blog again before I hit the publish button.

Just remember, we all makes mistakes and a typo isn’t one to lose sleep over.

Do you have any tricks for quickly eliminating typos?

Thanks for reading . . .

Scrivener and Scene Summaries

~ Kristina Stanley ~ 7 Comments

Do you keep track of your scenes? Do you summarize what’s in a scene. I used to use a spreadsheet exclusively to do this until I discovered I can use Scrivener. (I still use a spreadsheet for a more complete list that I can sort.)

In Scrivener, for each scene I note:

  • Chapter Number
  • Name of Scene
  • Point of View
  • Point of Scene
  • Tension
  • Revelation
  • Hook – ask yourself: why would a reader keep reading?
  • Character introduction and description
  • Date and Time of Day
  • Scene Description
  • Scene Dependency
  • Other – anything I want to remember. This could be a scene I want to add later. A description that needs updating. Just little reminders I still have word to do.

How does this relate to Scrivener, you ask?

I created a template in Scrivener by copying the relevant cells from and Excel spreadsheet and pasting them into a newly created template in Scrivener.

Then for each scene I insert the template underneath and to the right of the scene so I have the template linked to each scene. As I review each scene, I fill out the template. If I can’t fill out a line then I know I have work to do.

You can choose to compile the scene template with your novel or leave it out. If I’m printing a draft version, I might print the scene template so I can work on paper for a while. If I’m compiling and I only want the novel, I unclick the Include-In-Compile button.

It’s fun to discover new techniques to work with. Always, always learning . . .

Do you have information you keep track of for each scene that helps you make the scene better?

Thanks for reading . . .

I wrote a blog with my review of the Scrivener software that might help…

2013 Arthur Ellis Awards – May 30, 2013

~ Kristina Stanley ~ 2 Comments

So you’re looking for something to read?

Want to read books by Canadians?

Want to read crime/mystery novels?

Then this list if for you.

The winners of the Arthur Ellis awards are:

Best First Novel

Simone St. James, The Haunting of Maddy Clare, NAL

Best Novel

Giles Blunt, Until the Night, Random House Canada

Best Novella

Lou Allin, Contingency Plan, Orca Books

Best Short Story

Yasuko Thanh, “Switch-blade Knife” in Floating Like the Dead, McClelland & Stewart

Best Nonfiction

Steve Lillebuen, The Devil’s Cinema: The Untold Story behind Mark Twitchell’s Kill Room, McClelland & Stewart

Best French Book

Mario Bolduc, La Nuit des albinos: Sur les traces de Max O’Brien, Libre Expression

Best Juvenile/YA Book

Shane Peacock, Becoming Holmes, Tundra Books

Best Unpublished First Novel, aka The Unhanged Arthur

Coleen Steele, Sins Revisited

Derrick Murdoch Award

Lyn Hamilton

Writing a Series: Spreadsheet.

~ Kristina Stanley ~ 6 Comments

Last week I wrote about writing a series and keeping track of details over several novels, and I was asked about my spreadsheet.

In Keeping Track of Scenes I described the spreadsheet I use for one novel.  It amazes me how much I’ve changed and adapted the spreadsheet as I learn to improve my process. I’ve also added Scrivener to my list of tools, but I still can’t do without a spreadsheet.

In addition to a spreadsheet per novel, I now have a spreadsheet for the series.

The first column of each sheet states which novel the info is for. Then I include the following sheets:

Characters

  • names (first and last in separate columns so I can sort by each and make sure none of the names are too similar)
  • relationships
  • ages
  • clothing styles
  • emotional issues and challenges
  • anything I think might be important for the next novel

(I use Scrivener for character history)

Locations

  • places used
  • local business and who own them
  • hours of operation for ski lifts or any other business that is in more than one novel.
  • brief description of place
  • important characteristics of place

Timelines

  • Dates of key events (important in later novel when referring to past)

Hope this helps.
Thanks for reading . . .

Writing a Series

~ Kristina Stanley ~ 16 Comments

Keeping track of details in one novel can be an overwhelming task. My handy-dandy spreadsheet does the job for me.

But what happens when one novel becomes two and then two become three? And then you make a change in one . . . and it has to be updated in two and then three.

This is enough to drive a person crazy or at least keep them entertained or maybe keep them from sleeping. Who knows?

My solution. As always my spreadsheet. I have now added a new spreadsheet to my collection. I keep one spreadsheet per novel and have found an extra one for details that need to be remembered from one book to the next helps.

I can remember the big details, but what about the ones like an address, a description of a room, a character’s sibling.

Without a spreadsheet I am lost.

Any tips that might help me?

Thanks for reading . . .

Does a routine help you write or . . .

~ Kristina Stanley ~ 10 Comments

Do you write anytime or anywhere?

I find I write best if I have a routine, but life doesn’t alway cooperate. I’m able to write during random times during the day or when I have a free half hour here or there, but what really gets me is too much external input.

I find can’t write while on a long distance drive, but I can write while on a plane. Could be because there is too much to see in the passing landscape along the highway, but really, on a plane? What’s to see.

I can write while I’m alone on a walk (digital recorder is much easier and safer than a pen while walking). But if someone is with me, it’s pretty rude to work on a novel instead of socializing with a walking partner, so no writing during social times.

I can write while we are sailing, assuming my husband is at the helm and the water is flat. Rough water = no writing.

I can write if a TV is on in another room. But I can’t write if music is on. TV – boring. Music – interesting.

I can write in very short periods of time but not if there are too many interesting things going on around me.

When do you write best? Do you get frustrated when you can’t get enough writing time?

Thanks for reading . . .

Novels: Point of a Scene – Is there one or should you cut it?

~ Kristina Stanley ~ 8 Comments

Is There One or Should You Cut It?

I’ve often read the advice that a novelist should be able to summarize their novel in one to two sentences. This made me start thinking about scenes and chapters.

I asked myself if I knew the point of a scene, and if I didn’t should I cut – yes the dreaded word cut – the scene from the novel? It’s easy to get attached to a scene for many reasons but if there is no point, then I ask you what is the point? J

I challenged myself to go through my latest novel and write one sentence describing the point of the scene.

Taking this one level deeper, and adding a new column to my spreadsheet, I tried to reduce the sentence to one word that described the scene.

This did a couple of things for me.

  1. It showed me what to cut. Ouch.
  2. I helped me organize my chapters into a theme.

The second item was a surprise and created a new way for me to look at organizing chapters.

How do you decide it a scene is needed or not?

Thanks for reading . . .

 

CWC First Novel Awards

~ Kristina Stanley ~ 4 Comments

The Crime Writers of Canada Crime Novel Awards

If you are looking for a new author to read, the short list for the 2013 Arthur Ellis Awards is out. Sometimes I find it hard to find a new author to read, so each year I check out the CWC list. There are other categories for Canadian crime writers if you are looking for an author you already are familiar with.

The five novels short listed for the BEST FIRST NOVEL  are:

Confined Spaces by Deryn Collier

The Dead of Winter by Peter Kirby

The Haunting of Maddy Clare by Simone St. James

A Private Man by Chris Lang

The Beggar’s Opera by Blair Peggy.

Enjoy.

Thanks for reading . . .