Mystery Novels

Setting in Your Novel: What to Include?

~ Kristina Stanley ~ 12 Comments

#writetip

How do you decide what to include and what not to include when you are describing the setting in your novel?

I read Ken Follett’s novel Whiteout, and realized I didn’t skim a word. I started thinking about why I wasn’t skimming the narrative, something I tend to do because I’m not that interested in flowery descriptions. Others love it, but I like a fast paced story where I can relate to the characters.

After I finished the novel, I opened the first page of Whiteout and got out my pink highlighter. I highlighted every setting description. Since I’d already read the book, on my second reading I knew how the setting would be used.

I discovered that Follett spent time on setting description only if it was relevant to the story. This may seem obvious, and sometimes I need an idea to hit me on the head, but it became clear that I didn’t skim because I needed to know what the setting looked like to understand the latter scenes.

Try this with a novel where you didn’t skim any text, and see if you discover the same thing I did. There are so many ways to learn 🙂

Now when I’m describing a place, I do it twice. Once in full detail, so I understand and know it. Then I write it a second time, cutting what doesn’t need to be there and leaving the bits that will end up in the novel. These bits are the parts the reader needs to understand in order to believe and be engaged in the story.

When proofreading, I check for description that isn’t needed. Cut – cut – cut and into the garbage it goes. (Okay so really, stored in a folder on my computer but you get the point.)

Starting A Novel Scene

~ Kristina Stanley ~ 9 Comments

This week I’ve been thinking about starting points. On Monday, I blogged about when to begin your novel. But what about a scene?

Once you’ve decided when to start your scene, as in before the action, in the middle of the action, or after then action, what about how to start your scene?

There are different ways to do this. These include with:

  • Action
  • Dialogue
  • Thought
  • Narrative

To choose which one, I think about what I want to accomplish with the scene, what happened in the previous scene, and what’s going to happen in the next scene.

For example, if the previous scene was high on action, I might want to start the current scene with narrative, perhaps describing where the POV character is. This slows the story and gives the reader a break.

When a first draft is complete, the next step is to check whether the scenes begin in different ways. If all the scenes start with dialogue, the novel might be tedious to read.

As usual, I keep track of scene starts with a column in a spreadsheet. This allows me to quickly glance and check that I haven’t been monotonous.

What’s your method for deciding how to start a scene?

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Before the Story Begins . . .

~ Kristina Stanley ~ 6 Comments

For any author, the starting point of a novel is a big decision. Do you start before the beginning, at the beginning or after the beginning? And how do you decide?

For my fourth novel, Look the Other Way, I’m trying something new. I wrote 20,000 words of the story. With 20,000 words on paper, I have a good idea who the characters are.

The characters come to life, but not fully at this point. Next, I write character synopses that include the basic details, but also the story of the character’s life up to the beginning of the novel. Each synopsis ends up being three to five pages.

The synopsis format is informal. Point form will do. I don’t worry about typos or grammar, but I do get to know my characters.

This process helps me decide where to begin my novel. It’s a creative process. As I write each synopsis, I keep a separate document open that contains plot points or ideas. By the time I have all the synopses written, I have the full novel outline done too.

From this process, I somehow know where the starting point should be and what the inciting incident is. I chose the point that will drive the characters through the story. Too early, and the scene’s aren’t needed. Too late, and an important scene might be excluded.

Next comes scene writing.

Everybody has a different process for writing a novel. What’s yours?

Does Writing A Journal Help You Write a Novel?

~ Kristina Stanley ~ 7 Comments

Keeping a Journal #writetip

In Write Away: One Novelist’s Approach to Fiction and the Writing Life  by Elizabeth George, she explains the value of writing in a journal. I’ve never kept a journal or a diary, but thought I’d try it.

My first timid entries focussed on writing. I can’t seem to get away from that, but a more valuable thing to focus on might be daily observations. I decided to behave like a writer and keep track of interesting or odd things I noticed during the day.

Over the past few days, I’ve recorded funny or critical words people said. I’ve recorded how I feel about what went on during the day. And I’ve recorded ideas for novels.

The first thing I learned from writing a journal is that there is not a lot of me in my characters. When writing a novel, I write in a completely different voice than in my journal. My characters thoughts and feelings are nothing like mine. I have to say, I’m quite pleased about this.

Do you keep a journal? Have you discovered anything interesting by doing this?

Breaking The Rules

~ Kristina Stanley ~ 6 Comments

#writetip

As an author starting out, there is a ton of advice to consider. I’ve been reading blogs with different opinions on this one. Some say follow all the rules. Some say follow none of the rules – it’s your art, your creative process.

Here are my thoughts on “Do you have to follow the rules?”

Some of the rules (advice) include:

  • Don’t change point of view mid scene
  • Don’t open a scene with a character waking up
  • Eliminate/minimize adjectives
  • Don’t use names that are hard to pronounce
  • Etc.

My advice: learn the rules, use the rules, become an expert at the rules, and then break them to your heart’s content.

Being a master at something is tremendously satisfying and, I think, worth the effort.

Positive and Negative Feedback on Your Novel

~ Kristina Stanley ~ 9 Comments

#writetip

How do you know if your reader is any good?

Does your reader only give you negative feedback? That might be okay, but it won’t tell you what you’re good at.

Does your reader only give you positive feedback? That might feel great, but it’s not going to help you improve your writing.

To me the best reader gives me both positive and negative feedback. The positive keeps me motivated and tells me what I can relax about. The negative tells me what I need to work on.

What type of feedback do you like to receive and how does it help you?

Write From Experience

~ Kristina Stanley ~ 3 Comments

#writetip

Do you have scenes in your novel that are beyond your experience?

If you do, why not try the things your characters are doing? Everywhere you look, someone writes about writing being lonely. Well, it doesn’t have to be. Writing can be your excuse to be adventurous.

In The Final Gate I have a scene where my main protagonist is in danger while snowshoeing in the mountains. Having spent many hours snowshoeing in steep, rugged terrain, I found it easier to describe than if I’d just read about it.

My husband gets to do all these things in the name of writing a good novel and is happy to pose for a photo.

Blurb Translated to German

~ Kristina Stanley ~ 4 Comments

Fracture Line in German

As my translator works hard on Fracture Line, I asked her if she would translate my blurb into German. So here it is . . .

Stone Mountain, Britisch Kolumbien, Canada, Montag 31. Dezember, 7.29Uhr.

An einem kalten Wintermorgen, hoch auf den Purcell Bergen verschwindet Roy McCann in einer Lawine. Unfall oder Verbrechen ist die Frage.

Kalin Thompson kündigt ihren Job mit der Kanadischen Regierung  in Ottawa und nimmt den Job als Personalchefin im Stone Mountain Resort im Inneren von Britisch Kolumbien an,  um mit ihren entfremten Bruder Roy, wieder zusammen zu treffen.

Nach ihrer Ankunft enteckt Kalin, daß Roy im Verdacht steht einen großen  Diebstahl im Resort durchgeführt zu haben.

Kalin muß sich in die Sub-kultur des Ortes reinversetzen und zugleich eine heimliche Untersuchung leiten , die Roys Unschuld beweisen soll.

Kalins Leben wird bedroht als ihre Forschung nach der Wahrheit Erfolge zeigt.

Kalins Dillema ist, wem kann sie vertrauen, und ist ihr Glaube an die Unschuld ihres Bruders gerechfertigt

The next question: What is the title in German? After many hours of deciding on a title for Fraction Line, it’s time to start the process for the German Version.

This writing business is very time consuming.

Yeah, But . . .

~ Kristina Stanley ~ 7 Comments

#writetip

How do you overcome the ‘Yeah, but . . .” syndrome? It’s oh so tempting to respond to critique with the dreaded ‘Yeah, but . . .’ –  the temptation to explain why you wrote something the way you wrote it.

My advice is delay a rebuttal. You might be surprised what your brain does with the critique if you let it mull over what’s been said. If the answer comes to you in the middle of the night, be sure to write it down.

My reader, Sue is particularly good at pointing out where I need more emotion in a scene.

My reader, Janice points out where I need one level of emotion for the main characters and another for the secondary characters.

They are usually right. They don’t tell me how to fix a problem, only that the scene has one. Invaluable, but only if I’m willing to hear them.

My trick – I don’t respond to critique right away. I listen to it, go away and think about it, and then I have a non-emotional response and can decide logically if I want to make the requested changes or not.

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Capitalize your parents?

~ Kristina Stanley ~ 3 Comments

#writetip Should you capitalize parents? Proofreading is an endless task and here’s a mistake that’s easy to make.

Should you capitalize mom? (or dad, mother, father, aunt, uncle, you get the gist)

This short example shows you when you do and when you don’t.

“I don’t want to go, Mom. Really I don’t,” Ian said.

“You must,” Ian’s mom said.

Ian hesitated but obeyed his mom.

If you’re using mom as the name, then capitalize. If not, then don’t. Pretty easy, except when proofreading, one tiny letter is hard to see. I do a search for each mom, mother, dad, etc. and check to see if I’ve used them right.