Writing: Speeding up a Scene

So you want to put your scene into overdrive? Here’s one way to work on it.

I recently read the opening scene in CJ LyonsNerves of Steel. It’s a fast paced scene that takes the reader along for a bumpy ride.

I wanted to know what made this scene speed along like a comet crossing sky.

I reread the scene, looking at each word very carefully. And it seems to me, the verb choice drives the speed.

CJ Lyons uses action verbs. She doesn’t use uncommon verbs that take a reader out of the story, but she does use specific verbs representing movement.

Here are some of them:

  • Thundered
  • Chopping
  • Gusting
  • Tugged
  • Tore
  • Shredding
  • Ricocheting

You get the idea, so if you think your scene is slow, why not check the verbs and see if they are fast?

What do you do to make your scene rip?

Thanks for reading . . .

Location, Location, Location: Details for a Manuscript

Do you create your location first or do you write a scene first?

For a novel, I decide on the location before I start writing. My first three novels take place in a fictitious ski resort in British Columbia, Canada. The fourth novel takes place in the Bahamas. I chose the location first because I wanted to write about people who live in isolated places.

Some scenes dictate a location, but for others, I might write the scene and then chose a location. I keep track of locations in a spreadsheet. This helps me avoid using one place to often. Believe it or not, in a ski resort not everything happens on the mountain.

If I have a scene written and haven’t chosen a location, I do this by looking at the mood of the scene. Is is romantic, frightening, funny, awkward?  I think about where in my created world the scene will have the greatest impact. Then I add the details.

When reviewing a manuscript, I check for the empty stage syndrome. Did I get carried away with action or dialogue and not describe the location? If I did, I work on describing the location. Sometimes at this stage I drop a clue or a red herring based on location.

Do you decide on location first or write a scene first?

Thanks for reading . . .

Kickstart Your Writing Session

Writer’s block? I don’t’ believe it.

Sometimes it’s very difficult to put words on page, and there are too many reasons for this to mention them all.

Here’s one quick trick I use when my brain is stuck.

First I remind myself that if I was at work, there is no excuse for not getting your job done. You can’t exactly say to your boss, “The numbers for the spreadsheet you wanted by three just didn’t appear, so I didn’t create the spreadsheet,” now can you?

So why make excuses for writing?

Having decided that giving myself the easy way out is not an option, what do I do?

I spend 10 minutes working on a crossword puzzle. It makes my brain think of words. They may not be words I would write with, but more often than not, a word triggers an idea, and then before I know if, I’m off and typing.

Doesn’t work every time, but when it does, it’s a good feeling.

Any tricks you want to share?

Thanks for reading . . .

Writing Targets

I’ve read some authors write to achieve a specific word count per writing session.  This doesn’t work for me. During the time I allocate for writing, I might write, edit, proof read, research, or read. Setting a word count adds to much stress to the joy of writing. I can write to a deadline, I can write for the fun of it, I can write for creativity, but if I set a word count for a session, I obsess about the number of words and not about the quality of the writing.

While I’m doing other things with my writing time, all related to writing, an idea will often pop into my head. When that happens, I make a note of it. I’ve learned that if I don’t capture an idea, I won’t remember it later. I get right back to whatever activity I’ve been doing.

For me the writing life doesn’t mean writing all the time, but it does mean I shouldn’t get distracted from the task at hand. I believe all these things (editing, proof reading, researching, reading) make me a better writer.

Any thought?

Thanks for reading . . .

Keeping Point Of View Consistent

I’ve always thought Point of View (POV) should remain consistent. Maybe not for a whole novel or even for a chapter, but at least within a scene.

I’m reading a mystery novel that changes the POV within a scene. It’s a novel published the traditional way through a well-known publishing company. I find the POV change within a scene distracting and think it takes away from an otherwise good story.

Are the standards changing?

Anyone else have a view on this?

Thanks for reading . . .

 

Alarms Needed: Writing Takes Over Life

I don’t know if this happens to others, but when I’m writing my entire brain focuses on what I’m doing, and it tunes out ‘real life.’

This can be a problem while writing and living on a sailboat.

It’s shocking, I know, but sometimes I have responsibilities on the sailboat. My husband, Matt, could be off windsurfing, playing volleyball, or spear fishing, and I’m on the boat writing.

I might need to turn off the water maker when the tanks are full, turn of the generator when the batteries are charged, or re-angle the solar panels when the sun moves – which it has a tendency to do during the day.

Matt learned that when I’m writing, there is a slight chance I could forget my duties. And yes, he learned from experience. His solution: he sets an alarm.

Now you’d thing that would be enough, but it’s not. He leaves me a note for what the alarm means.

I’ve learned to read the note as soon as the alarm goes off and attend to the task right away. If I sit back and start writing without doing what I was supposed to do, there’s a good chance I forget.

Sometimes the boat needs take precedence over writing, but I still love to write while I’m on my catamaran.

Thanks for reading . . .

Writing while Sailing: Retyping a novel

I love to read books and blogs on how to write and remember reading a tip I’ve never followed before.

The tip: When you’ve finished a good quality draft of your novel, put in a drawer for a least two weeks, longer if you have the patience. I’ve done this part. What I haven’t done is the next part of the tip. Retype your entire novel.

What? I thought, who has the time? And is it worth it?

Now that I’m back on Mattina, and we are in the Exumas, I’ve found the time.

I’ve typed in the first 8 chapters and am amazed at what I’m discovering.

First, typos appear fresh. I’ve seen some that I was sure I’d edited out.

Second, dropping clues too early jumped out at me. By letting time go by, I can see the novel with fresh eyes and have been able to hold back information. I think this will make the novel more tense.

Third, I had a few names that didn’t suit the character I’d assigned them to. Yup – changed those too.

Fourth, and the best result, when I read a sentence and it’s not the best it could be, I don’t want to type it back in. It’s easier to let go of writing and rewrite a sentence when it’s not on the page yet.

I’m amazed at how well this technique works. Yes, it’s a lot of work, but I think Look The Other Way will be a better novel because of it. Too bad my typing sucks.

If you have any editing techniques you’ve tried that worked for you, let me know.

Happy New Year!

Thanks for reading . . .

Early Drafts: Having Your Novel Reviewed

Last year at this time I was working with Garry Ryan (2011 CWC President) through the CWC mentorship program on my 3rd novel Burnt. Burnt is now with my literary agent, Margaret Hart, awaiting comment.

I sent Garry about 10 pages at a time, he commented, I updated and sent the next 10 pages. I learned something new with each section. If you get the chance to be part of this program, it’s certainly worth it.

Many of you know my brother, Michael Conn, is also an author. I’ve convinced him that the process I went through with Garry improved my novel and that he, Michael, should do this with me for my next novel.

I’ve finished the first draft of my fourth novel, Look the Other Way, and Michael is reviewing it chapter by chapter. I send him one chapter, he comments, I update and on it goes.

At this early stage, Michael gives me his thoughts on story line, whether he likes a character or not, whether he thinks a sentence is foreshadowing something, and if the writing is good enough.

This helps me see the novel through his eyes and understand what impression I’m giving a reader.

It takes time and effort, but if you can find someone willing to do this for you, I recommend it. My only caution is that you must find someone you trust. It’s hard to put writing out there when it’s not in its most polished state.

Thanks for reading . . .

 

Mattina: The Journey is the Destination

Well sometimes. For me it depends on the journey, the destination and the end goal.

Right now we are sailing with the goal of getting to the Exuma island chain in the Bahamas. To do that we have to get across the tongue of the ocean. That’s the journey part.

When we get there, I can focus on writing. I miss writing every day, but our plans change rapidly depending on the weather, and I can’t focus. I know, you’re feeling very sorry for me 🙂 Can’t have everything.

Here is a photo of why we are trying so hard to get to the Exumas and while I don’t mind putting my writing on hold for a bit. The clear blue water is world class.

Ray swimming by Mattina
Ray swimming by Mattina

Next blog: The next time we have internet access.

Thanks for reading . . .