Write Better Fiction: When A POV Doesn’t Reach A Goal

Today on Write Better Fiction we’ll cover What happens if the POV doesn’t achieve her scene goal. Write Better Fiction is a process to help you critique your own manuscript and give yourself feedback. This will help you improve your novel, so you’re ready to submit it to an editor. 

If you’ve been reading this series, you know I’m describing a spreadsheet I created to evaluate each scene of a novel. I use this spreadsheet after a solid draft to evaluate each scene and revise it as needed.

This week I’ll over POV goal failure.

To shorten the heading in the spreadsheet, I’ve called the column “Outcome if POV Fails.” I know this means what happens if POV doesn’t achieve his goal.

This question is sometimes hard to answer. If the question is hard to answer, the goal may not relate to the overall plot. If nothing happens because the character fails to achieve the goal, then what’s the point of the goal.

The answer doesn’t have to be earth shattering.

In DESCENT, Kalin’s internal goal is to be good at her job. If she fails, she might get fired, be reprimanded or lose her confidence at work.

In the opening scene, her external goal is to go skiing. This has a more subtle relationship to the plot. The goal is there to show Kalin is adventurous and athletic. When Ben tells he she can’t go skiing because the conditions are too dangerous, her trait of not listening to others is revealed. This goal is about character development.

For an obvious example, say a character’s scene goal is to reveal to the police she’s discovered fraud at work. She fails to reach the police in time, and she becomes a suspect in the fraud. You can easily tell what happens when she fails to reach her goal.

The answer strength should vary throughout the novel. The will help with pacing and keep the reader engaged.

If every scene has an obvious goal and and obvious failure, the reader will get bored with the repetition.

Sometime the character will achieve their goal. This is okay too. The idea is to create tension in the scene with the possibility the character might fail. They don’t have to fail, for the tension to be effective.

Your challenge this week is to use the columns for internal and external character goal that you set in POV GOAL AND PLOT and ask yourself what happens if the character doesn’t achieve that goal.

I critiqued DESCENT and BLAZE using the techniques I’m sharing in Write Better Fiction, and I believe this helped me sign with a publisher.

Please me know in the comments below if you found this exercise challenging. Did it help you write a tenser scene?

Thanks for reading…

Descent & Blaze

AVALANCHE: First Early Praise

I can hardly believe I’ve received the first early praise for AVALANCHE, A Stone Mountain Mystery #3. AVALANCHE will be released by Imajin Books this spring.

It set my nerves on fire to send out the ARC (Advance Reader Copy) to well established authors asking for an endorsement if they like the book. The ARC has not been through the full editing process or proofreading, so it’s hard to let the work out into the world.

Imajin Books taught me with the DESCENT and BLAZE that this was part of the publishing process, so I should take a deep breath and hit the send button.

The first endorsement I’ve received is from thriller writer Jeff Buick.

Layer upon layer, like snow building for an avalanche, Stanley weaves a story that keeps you guessing. You can’t turn the pages fast enough.

AVALANCHE: On a cold winter morning, deep in the Purcell Mountains, the safe at Stone Mountain Resort is robbed hours before Kalin Thompson’s brother, Roy, disappears in an avalanche.

Under normal circumstances, as the director of security, Kalin would lead the investigation into the theft, but Roy is the prime suspect. The police and the president of the resort turn their sights on Kalin. She’s told to stay clear of the investigation and risks her job to covertly attempt to clear Roy’s name.

Threats against Kalin escalate as she gets closer to the truth. Is her faith in her brother justified? Was the avalanche an accident or did something more sinister happen? And is the truth worth destroying her life for?

Jeff Buick, a Canadian fiction writer, is a top selling author of thriller novels including:

Screen Shot 2016-03-22 at 6.29.53 AMBloodline

The world thinks Colombian drug lord Pablo Escobar was killed in 1993. The world is wrong. Escobar went deep into hiding, taking with him the access code to a Swiss bank account containing hundreds of millions of dollars. His enemies want that code, and they ll do anything to get it…. Escobar s enemies know that even in hiding he is still a very dangerous man, and that simply looking for him would cost them their lives. Instead they turn to Escobar s cousin, an innocent pawn who has no idea where to begin the search. But his wife and daughter are being held as security, and the clock is ticking. He has two weeks to find Pablo Escobar and get that access code or they die.                       

Screen Shot 2016-03-22 at 6.32.23 AMLethal Dos

When Gordon Buchanan’s brother, Billy, dies from an injury in a logging accident because his blood failed to coagulate properly, Gordon seeks an outside cause for Billy’s blood disorder, given no family history of hemophilia. Gordon learns that his brother was taking Triaxcion, a new drug manufactured by Veritas Pharmaceuticals, whose ruthless CEO will stop at nothing to maintain his company’s profits. As Gordon begins to dig into the inner workings of the drug company, he’s joined by Jennifer Pearce, a recent Veritas hire who has her own reasons for investigating her employer. Together they uncover a twisted path of corporate conspiracy, greed and murder that reaches into the very heart of American fears. Buick (Bloodline) offers two appealing protagonists plus plenty of fast-paced action and narrow escapes, with a minimum of tech-speak. While several convenient coincidences and overly helpful strangers speed along Gordon and Jennifer’s quest, the final product is a quick, enjoyable biotech thriller.                       

Screen Shot 2016-03-22 at 6.35.29 AMAfrican Ice

A diamond formation worth untold millions, hidden deep in the jungles of Africa. Many have tried to find it. All have failed. Can Samantha Carlson do the impossible? The president of Gem-Star thinks so when he hires the geologist to lead a team into the Democratic Republic of Congo and return with the diamonds’ location. Gem-Star has sent other teams in to find the formation. None made it out alive.

Samantha was aware the odds were against her when she accepted the mission. She’s taken hazardous jobs before, and she knows what she’s doing. Plus, Gem-Star has provided an escort team to protect her. But Samantha’s expedition is about to turn into an all-out battle for survival. There’s another team on a mission in the jungle. Their goal: kill Samantha.

Screen Shot 2016-03-22 at 6.37.35 AMShell Game 

When NewPro Stock collapses, Taylor and her husband Alan lose millions, forcing them to sell their home and business. But they re not going down without a fight. They re determined to track down the elusive Edward Brand, the mastermind behind the enormous fraud…

Taylor and Alan are about to learn two hard facts: A man who doesn t want to be found can be extremely dangerous – and in the world of high-level scams absolutely nothing is what it seems. If they re going to pin Brand down and recover their money, they re going to need an ingenious – and very risky – plan of their own.

Screen Shot 2016-03-22 at 6.39.04 AM Delicate Chaos

Leona Hewitt, a successful Washington banker, finds her life on the line when she takes on a new client. A poweful company is set to lose millions if she doesn’t approve a transaction . . . and they’ve hired a killer to make sure she doesn’t present a problem.

Mystery Mondays: Carol Balawyder on Subplots

Welcome once again to Mystery Mondays.

I first connected with Carol Balawyder when she graciously agreed to have me guest blog on her series HOW I GOT PUBLISHED.  DESCENT had been published less than a month previously, and I was nervous about guest blogging. Carol’s generous nature made it easy for me, and now I feel very lucky to have her guest blogging on my series.

Carol writes the The Getting To Mr. Right series.

Screen Shot 2016-03-20 at 8.14.27 AM

THE PURPOSE OF SUBPLOTS by Carol Balawyder

Thank you so much Kristina for inviting me as a guest on your Mystery Monday series. It’s a true honor for me to be in the midst of so many flourishing writers.

In my writing, whether it is women’s contemporary fiction or crime genre they both have in common a subplot which deals with the complexity of domestic relationships – specifically, relationships between an adult and his/her parent and the dysfunctional behaviors they can get tied up in.

For example, Getting To Mr. Right looks at how a daughter’s relationship as an adult is influenced by an emotionally or physically absent father. While researching this subplot I found a number of clinical studies to be of a valuable resource on the consequences of an absent daddy which I have used as foundation for the subplot.

Adding a subplot to the main plot gives depth to the character; the reader gets to know him/her more intimately.

This, I found to be especially true for a series. How many of us have wanted to read book 2, 3 or 8 of a series not only for the thrill of the story or mystery but also for wanting to know more about the protagonist’s personal life? Through the intricacies of the subplot readers become hooked on a series.

Subplots can enrich a novel and add tension. They give insight into a character’s personality and value system. They propose ground upon which a reader begins to build trust and sympathy for the character because s/he has a deeper understanding of him/her.

Subplots create a link from one series to the next and, as readers learn more about the characters’ personal life they begin to care more about them. To treat them as literary friends and sometimes even become their fans.

In some cases subplots help speed up the pace while in other cases they might serve to provide a breather to the action of the main plot.

Perhaps most importantly, subplots add to the suspension of disbelief.

I’ll give you an example drawn from my crime novel in progress. The protagonist, a nineteen year old girl, develops an intense and obsessive relationship with a man she meets on a train; she is ready to do anything to keep him even if it means leaving her distressed mother, turning her back on a career opportunity and murder.

Not such a nice girl, you might think, and rightfully so. But the subplot of addiction and its effects on the entourage supplies a different outlook.

Our nineteen year old protagonist, since very young, has been forced into the role of being caretaker to her heroin addicted mother. Research has shown that children who are flung into this kind of role grow up with a warped sense of self, lack of confidence and mounting frustration. Thus, the subplot adds credibility to the protagonist’s actions and irrational behavior. Although we might not condone some of her behavior we can understand. We believe that the protagonist is capable of doing what she does because of the world she lives in. We willingly suspend our disbelief.

Finally, as writers we need to make our characters come alive on the pages of our novels. Subplots are perfect opportunities to do just that.

My Getting To Mr. Right Series:

Carol Books

Carol’s BIO
CarolCarol Balawyder has taught criminology in both Police Technology and Corrections Programs for 18 years. Her area of expertise is in drug addiction and she worked in a methadone clinic with heroin addicts. She is very much interested in the link between drugs and crime and the devastating effects addiction has on the addict’s entourage. She has published short stories in The Anthology of Canadian Authors Association, Room Magazine, Entre Les Lignes, Mindful.org. and Carte Blanche. She regularly writes book reviews on Amazon and Goodreads.

LINKS:

Amazon – http://www.amazon.com/Carol-Balawyder/e/B00HVETKWM

Goodreads – http://www.goodreads.com/author/show/7704883.Carol_Balawyder

Smashwords – https://www.smashwords.com/profile/view/cbala

Website – http://carolbalawyder.com/

Blog- http://carolbalawyder.com/blog/

 

 

 

Farley’s Friday: I’ve Got a Girlfriend

Farley here,

Let me introduce Piper. She’s my girl. She’s a border terrier, was born one week after me, and has been visiting us this week.

Here we are the day we came home to our humans.

Farley and Piper Day 1

And here we are on the couch seven years later.

Farley Piper

I may look aloof, but I’ve got a huge crush on her, and I’m trying to look cool.

Woof Woof

EASTER EGG HUNT for 3 Free Novellas

Would you like three free novellas for the price of one book?

Imajin Books has a gift for you.

If you read DESCENT and receive your free novellas, let me know. I’d be thrilled to find out which ones you win. Imajin Books loves a mystery, and even I don’t know which novellas are hidden in DESCENT.

easter brunch party

Enjoy.

Write Better Fiction: Point of View Goal and Plot

Today on Write Better Fiction we’ll cover How the Point of View Scene Goal Relates to Overall Plot. Write Better Fiction is a process to help you critique your own manuscript and give yourself feedback. This will help you improve your novel, so you’re ready to submit it to an editor. Check the bottom of this post for links to previous Write Better Fiction articles.

The column in the spreadsheet has long title, and if you can think of a better one let me know.

This is column where I analyze both the internal and external goal of the point of view character.

Each scene has a point of view character. This character must have a goal for the scene. If there is no goal, then what is the character doing?

Let’s deal with the external goal first. This is the goal the reader is aware of.

Finding a murderer is Kalin’s main goal throughout DESCENT. She also has goals within each scene where she holds the point of view. In the opening scene her external goal is to go skiing. Her internal goal is to be good at her job.

The reader is shown Kalin wants to go skiing. She doesn’t achieve this goal because a skier falls and is terribly hurt. She has to put her own wants aside and deal with the situation. This is the start of Kalin’s journey of searching for a murderer. At the time she doesn’t know she is witness to a crime, she’s only thinking of taking care of the skier. The external goal of skiing places her on the hill at the time the skier falls.

Kalin’s internal goal is to be good at her job. In the opening scene, she doesn’t know yet this will involve chasing a murderer.

For each scene, think about how the POV character’s goal is related to the plot of the novel. If you don’t know the answer, perhaps the scene isn’t relevant to the story, or perhaps another character should have the POV for that scene.

Your scene may just need some updating. Can you strengthen the character’s goal? Is there a way to add a goal to the scene so it relates to the novel’s plot?

You can also use this column to check for consistency. Let’s say your character is a tea drinker, and you put the character’s scene goal as finding a cup of coffee. That should trigger you’ve made a mistake.

When you’ve finished the spreadsheet for each scene, you should be able to scan this column and find any entries that are weak.

Your challenge this week is to check the previous column for internal and external character goal and determine if that goal relates to the overall plot.

I critiqued DESCENT and BLAZE using the techniques I’m sharing in Write Better Fiction, and I believe this helped me sign with a publisher.

Descent & Blaze

Please me know in the comments below if you found this exercise challenging. Did it help you write a tighter scene?

Thanks for reading…

 

Mystery Mondays: Jessica Norrie on Friends in your Novel

KONICA MINOLTA DIGITAL CAMERA

Mystery Mondays has been a fascinating experience for me. This week, our guest is Jessica Norrie, author of THE INFINITY POOL. I met Jessica through other author’s I’ve met on line, and now I have another book to read that I might not have heard about.

THE INFINITY POOL is Jessica’s debut novel. So let’s give Jessica a warm welcome.

Here is what she has to share with us.

 

“Your friends should know they’re fair game if you’re a writer.” By Jessica Norrie

So says a more established writer friend, with plays on the West End stage and on exam syllabuses, who runs workshops and appears on BBC culture programmes. I haven’t yet heard her comments on “The Infinity Pool”, which means she may not have recognised the at best quirky and at worst nasty detail that I shamelessly plucked from my first encounter with her. I hope that what seemed funny at the time, and has been commented on by many readers, will not spoil a friendship.

No such problem with the yoga teacher in my novel, “The Infinity Pool”. He’s everything a yoga teacher should be, wise, relaxed, humorous, fit and athletic, sympathetic, adaptable to different levels, sensible, stable, demanding to the point of stimulus but not stress, in command but without notions of hierarchy. Michael Stewart, who appears as Satnam in the book, I salute you! And anyone looking for a yoga teacher (although he gets around, last heard of in Mexico) should Google him. I thought I couldn’t have given a better testimonial – but then someone said he was “creepy”.

But what of the hero/antihero/semi hero? At the start of the story he’s attacked and left for dead; the mystery concerns how his disappearance affects others, why it happened, whodunnit, and whether that’s the end of him. He WAS based, to some extent, on someone I knew. Someone I didn’t think I liked, because I disapproved of him. I thought he manipulated people, dangerously, leading them to disclose inner thoughts and feelings too quickly for safe processing. Where a therapist might allocate months or even years, this guy had people unburdening themselves in two weeks, often getting very upset along the way. I changed his age, his appearance and manner, but it was essentially him and when  I thought I’d kill him, it may have come from my anger.                                                                                                                                                                                                                                                    Strangely, as I progressed, I began to like him. I took his part, tried to present his actions more sympathetically – in fact I fell for him. I chose his shirts more carefully and paid attention to his footwear. I even came to agree with some of his ideas, though I still took my debunking responsibility seriously. He began to stand a chance of survival.

It’s surprising how far back one can go in selecting people on whom to model characters. Aged eighteen, I was in a class with two ravishing girls of Greek Cypriot origin, best friends who turned heads everywhere, but who, though attractively and sexily dressed, were always correct and traditional in their behaviour. I hardly knew these girls; they were pleasant but we moved in different circles and I was too in awe of their perfect looks to approach them much. One of them became Maria in the book, and yet I’m sure I hadn’t thought of her for thirty years until she turned up in my story.

Few people are all good or bad, in life or in good fiction. Ruby, Bernard, Megan and Chris are all composites of people I’ve known. I should apologise to “Ruby” for giving her an unattractive drink problem as well as generosity of spirit and an intriguing wardrobe; in the spirit of remorse I did try and redeem her. Bernard has origins in a man I once dated for a short while: grumpy, and superior but highly intelligent and actually quite warm and vulnerable under a pompous exterior. It’s quite fun to improve such characters as you go along, teaching them and yourself a lesson in the process.

I’m told I write a good location and the setting is of course itself a character. And this one IS a composite –loosely based on a place I holidayed in but with details changed and huge liberties taken. As soon as I arrived, I thought, what a great setting for a whodunit. But if it was really as poorly run, as ramshackle, as un health and safety conscious, as turbulent as I paint it, there would have been no story and they would not still be running highly praised “holistic breaks”. I’m keeping mum about the exact location, although anyone who’s been there will recognise it straight away. That’s just another small mystery for the other readers to solve.

The Infinity Pool:

“Adrian Hartman is the charismatic director of the Serendipity holiday community, set among pine trees on a sun-baked island. His job is to ensure the perfect mindful break, with personal growth and inner peace guaranteed. His guests return year after year to bare their souls. For some, Adrian IS Serendipity.

But this year Adrian isn’t there, and nobody knows the reason why. Things have changed: staff and guests are bewildered without their leader and the simmering hostility of the local villagers is beginning to boil over. Is the atmosphere of menace connected with Adrian’s absence? And will life on the island ever be the same again?

As romance turns sour and conflict threatens the stability of both communities, everyone has to find their own way to survive. This evocative novel explores the effect of well-intentioned tourism on a traditional community, and questions the real meaning of getting away from it all.”

Jessica’s Profile:

6x4 (3 of 8)Jessica Norrie was born in London and studied French Literature at the University of Sussex and Education at the University of Sheffield. She taught in Paris and Dijon, and in the UK has taught English, French and Spanish to age groups from 5 to 80 in almost every educational setting possible.

She took a break from teaching when her two children were small, to study for and work as a freelance translator. She has also published occasional journalism and collaborated on a Primary French textbook (“Célébrons les Fêtes”, with Jan Lewandowski, Scholastic 2009).

 

Jessica sings soprano with the Hackney Singers, and wherever else she gets the chance in the UK and abroad. Less publicly, she plays the piano – slow pieces suit her best as she needs lots of time to figure out the chords.

She is fascinated by languages and has worked hard to make language learning approachable and fun even for the most nervous students. But having always read voraciously, she would now prefer to concentrate on writing. “The Infinity Pool” is her first novel, drawing on many years of travel and encounters, and she already has several ideas for another.

Everything you need to know about Jessica you can find out below:

Amazon Canada (no Canadian reviews yet but for rather more go to Amazon.ukAmazon.comAudible.uk or for less favourable ones in the land where it sold best (?!) Amazon.au. I would LOVE some reviews in Canada or more in the US where it’s fair to say I haven’t yet made much impression on the market. However the Audible narrator, although Welsh, lives in Canada. In Australia II went to no 1 in Literary Fiction when on promo in September, but unfortunately Amazon classified it as Crime and I think readers were disappointed by the lack of psychopaths and general gore. It’s now been moved to Literary Fiction. If anyone would like to review it please contact me via my Facebook author page or witter Jessica Norrie – author:
https://www.facebook.com/Jessica-Norrie-1617940365158063/?ref=hl or by direct message on Twitter: @jessica_norrie.
Amazon Canada
Amazon Australia
Amazon India

 

 

 

 

Announcing The Author’s Guide To Selling Books To Non-Bookstores

Are you a published author and looking for ways to expand the distribution of your book? Well, I’ve written a book just for you.

Non-Fiction Announcement 2

The success in selling and distributing DESCENT and BLAZE came from implementing what I learned by trial-and-error, by talking with other authors and store owners about the process, and from guidance from my publisher. I’ve taken everything I’ve learned and put it into a book.

In THE AUTHOR’S GUIDE TO SELLING BOOKS TO NON-BOOKSTORES I explain how an author should plan, prepare and execute getting books into stores and actually making money from it. It doesn’t matter whether you’re an Indie author or traditionally published, all that matters is you have a printed edition of your fiction or nonfiction book and you want to get that book out into the world.

Publication is set for this spring. For now, the book goes to the editor and then the proofreader. The cover has to be designed. All major milestones, but all part of the journey.

Thanks for reading…

Farley’s Friday: Can a Wheaten Terrier Cry?

Farley here,

The answer to Can a Wheaten Terrier Cry is yes.

My friend for life, Finn, spent two and a half weeks living with me. Every night we snuggled side-by-side in our beds, reminiscing about the day. Okay, I’m sleeping and Finn is looking for something mischievous to do, but you get my point. He’s my bud. He’s an Icelandic sheepdog and very smart.

Dog BEds

Then the day comes when he has to go home. We curl up on the couch – ’cause Matt isn’t home – and I put my paw over my eyes and hide my tears. I know I’m going to miss him.

Farley Crying

Why can’t he live with us? I know he has his own humans, but mine are nice too. I think he should move in.

Woof Woof

Mystery Mondays: Call For Authors

Promoting Reading – Promoting Authors

Mystery Mondays began in July 2015. Authors from many genres who write with a hint of mystery have told you about their books, answered your questions about writing and shared their thoughts with you. Every Monday, you’ve be introduced to another author and maybe discovered someone you’re not familiar with.

Are you interested in guest blogging?

I am now accepting guest blog requests for the remainder of 2016 starting on April 18th so if you’re interested contact me here.

If you’d like to participate, here’s what you need to qualify:

  • you are a published author – traditional or Indie or any other way that I don’t know about,
  • you are about to publish and have a launch date within a week of blog post,
  • you want to promote other authors and spread success,
  • you write novels with a hint of mystery,
  • you are willing to engage in the comments section when readers comment on your post.

All I ask from you is that you follow my blog, comment on author’s posts and help share via Twitter and Facebook.  If you’re interested send me a message via my contact page.

The guidelines:

You’ll have to send me your bio, back text of your novel, author photo and book cover. I’d like you to write something about yourself, your novel, your research, a writing tip or a publishing tip. Please keep in mind I am a family friendly blog. I do reserve the right to edit anything I think might be inappropriate for my audience, which I will discuss with you first. I think anything under 700 words is great, but it’s your book so up to you.

I’m looking forward to hearing from you and sharing your novel with the Internet world.