Mystery Novels

Setting the Scene: Template for A Novel

~ Kristina Stanley ~ 6 Comments

Last week I wrote about my template for writing a scene. One of the questions I asked in that template was:  Is the setting the best place for emotional impact?

How do I answer that question? I use another template. For each setting, I ask myself:

What is the Setting Role in Story:

Who are the Related Characters:

Season:

Unique Features of the Setting:

Description:

Sights:

Sounds:

Smells:

Notes:

 

This allows me to determine if I’ve described the scene in a vivid manner. If I can’t answer most of the questions,  I don’t think the scene is the best place for emotional impact. I don’t believe sight, sound and smell have to be in every scene, but there should be something there.

The real purpose of the template is to make myself think about the scene in a structured way. If you have a way to do this, I’d love to hear about it.

Thanks for reading . . .

Are Your Characters Likeable?

~ Kristina Stanley ~ 4 Comments

Do you find this hard to answer?

I’ve been reading Elements of Fiction Writing by Orson Scott Card and am finding it helpful. It’s an in-depth book that is giving me a lot think about.

In real life, a person might only see the best in their friends and family and ignore the flaws. This can happen in fiction too. A writer might not notice if a character is annoying, whiny, obnoxious etc. But how to you judge your own characters?

One thing I like to do is put my writing away for a while, then when I re-read the scene I ask myself: do I like this character. I’m using like broadly, in the sense of am I interested? do I want to keep reading about them?

The other question to ask is: Does the character have a motive? And what is there strongest desire?

When I meet a person, again in real life, I tend to be interested in them if they are interested in something. When a person talks about their passion, the light goes on, the eyes sparkle, the voice trembles, the tempo picks up. This is what I try to do with a character.

There is so much written on this subject, so I thought I’d mention Elements of Fiction Writing in case you’re looking for tips by an expert.

Please share your thoughts, if you know of a good book on the subject of characters.

Thanks for reading . . .

Can Writing a Novel Help Your Career?

~ Kristina Stanley ~ 10 Comments

I believe the answer is yes.

Without clear communication it’s hard to get things done in our world of team work, offices in different locations, cities or countries, partners working time zones hours away, and the multicultural workplace.

Much of our communication happens via the internet or intranet, making written communication extremely important.

Using interesting, concise and clear communication will help you get your job done, convince others to work on your project, and highlight your intelligence.

Think of the time you save if you only have to send a memo once and not answer questions about it.

Over the last few years, I’ve improved my writing skills by writing several novels. The more time I spend writing, the better I get at it. As they say, whoever they are, practice makes perfect.

So if you think spending time writing a novel that might never get published is a waste of time, think again. Writing a novel will improve how you communicate by the written word.

Have you found this to be true, too?

Thanks for reading.

Nicknames for Characters

~ Kristina Stanley ~ 12 Comments

It is okay to refer to a character using more than one name?

In life, we’re often referred to by a nick name, a family name or a full name depending on who is talking to us.

I call my niece, MoMo. She calls me TiTi. She’s the only person who does that.

At work or formal situations, I go by Kristina.

My family and close friends call me Tina.

But no one calls me Kris. It’s not a short form of my name I like. If a person uses it, my brain doesn’t even register I’m being addressed.

But in a novel, is all this fair game?

I think it depends on the writing.

In the last case, a character could refer to another by a name they don’t like. This would tell you something about the character. Maybe he is socially inept. Maybe he is trying to be irritating.

Short forms make characters close to each other. There is an intimating between them that wouldn’t be there without the endearing name.

A character insisting that others use her full name could be giving a message. Maybe she doesn’t like the person she’s talking to so insists that person be formal and kept at a distance. Or maybe she is  trying to appear professional.

My only caution is the nickname must be clear. The reader needs to know who is speaking or being spoken too. If too many forms are used too often, the reader may become confused or annoyed and stop reading.

And none of us want that.

Do you have any tips on using more than one name for a character and is it worth the risk?

Thanks for reading . . .

Top 5 Reasons to Write with Pen and Paper

~ Kristina Stanley ~ 8 Comments

Summer is here, and I love to be outside. Even, or maybe especially, when I’m writing. I don’t want to take the beautiful days for granted. Now some of my friends laugh when I say that because I spend winters in the Bahamas, but I grew up as a Canadian conditioned that summer days are precious and not to be wasted. Do we ever forget lessons drilled into us when we were children?

The computer is usually my place of writing. The words may work their way onto a piece of paper, but somehow the scene doesn’t seem written until I type it in. Maybe that’s weird, but hey, everyone should be allowed a little weirdness now and then.

Top 5 reasons to write with paper and pen:

  1. Practice spelling – no cheating with spell checker.
  2. Create scene descriptions through doodling and drawing.
  3. Make notes in side margins when an idea strikes.
  4. Don’t get interrupted by social media – no announcements of email, FB messages, etc to distract you.
  5. Burn paper if writing is really terrible – this is particularly satisfying.

Does your imagination get sparked by using a new medium?

Thanks for reading . . .

Scrivener and Scene Summaries

~ Kristina Stanley ~ 7 Comments

Do you keep track of your scenes? Do you summarize what’s in a scene. I used to use a spreadsheet exclusively to do this until I discovered I can use Scrivener. (I still use a spreadsheet for a more complete list that I can sort.)

In Scrivener, for each scene I note:

  • Chapter Number
  • Name of Scene
  • Point of View
  • Point of Scene
  • Tension
  • Revelation
  • Hook – ask yourself: why would a reader keep reading?
  • Character introduction and description
  • Date and Time of Day
  • Scene Description
  • Scene Dependency
  • Other – anything I want to remember. This could be a scene I want to add later. A description that needs updating. Just little reminders I still have word to do.

How does this relate to Scrivener, you ask?

I created a template in Scrivener by copying the relevant cells from and Excel spreadsheet and pasting them into a newly created template in Scrivener.

Then for each scene I insert the template underneath and to the right of the scene so I have the template linked to each scene. As I review each scene, I fill out the template. If I can’t fill out a line then I know I have work to do.

You can choose to compile the scene template with your novel or leave it out. If I’m printing a draft version, I might print the scene template so I can work on paper for a while. If I’m compiling and I only want the novel, I unclick the Include-In-Compile button.

It’s fun to discover new techniques to work with. Always, always learning . . .

Do you have information you keep track of for each scene that helps you make the scene better?

Thanks for reading . . .

I wrote a blog with my review of the Scrivener software that might help…

2013 Arthur Ellis Awards – May 30, 2013

~ Kristina Stanley ~ 2 Comments

So you’re looking for something to read?

Want to read books by Canadians?

Want to read crime/mystery novels?

Then this list if for you.

The winners of the Arthur Ellis awards are:

Best First Novel

Simone St. James, The Haunting of Maddy Clare, NAL

Best Novel

Giles Blunt, Until the Night, Random House Canada

Best Novella

Lou Allin, Contingency Plan, Orca Books

Best Short Story

Yasuko Thanh, “Switch-blade Knife” in Floating Like the Dead, McClelland & Stewart

Best Nonfiction

Steve Lillebuen, The Devil’s Cinema: The Untold Story behind Mark Twitchell’s Kill Room, McClelland & Stewart

Best French Book

Mario Bolduc, La Nuit des albinos: Sur les traces de Max O’Brien, Libre Expression

Best Juvenile/YA Book

Shane Peacock, Becoming Holmes, Tundra Books

Best Unpublished First Novel, aka The Unhanged Arthur

Coleen Steele, Sins Revisited

Derrick Murdoch Award

Lyn Hamilton

Writing a Series

~ Kristina Stanley ~ 16 Comments

Keeping track of details in one novel can be an overwhelming task. My handy-dandy spreadsheet does the job for me.

But what happens when one novel becomes two and then two become three? And then you make a change in one . . . and it has to be updated in two and then three.

This is enough to drive a person crazy or at least keep them entertained or maybe keep them from sleeping. Who knows?

My solution. As always my spreadsheet. I have now added a new spreadsheet to my collection. I keep one spreadsheet per novel and have found an extra one for details that need to be remembered from one book to the next helps.

I can remember the big details, but what about the ones like an address, a description of a room, a character’s sibling.

Without a spreadsheet I am lost.

Any tips that might help me?

Thanks for reading . . .

How Do You Deal With Thoughts in Your Novel?

~ Kristina Stanley ~ 14 Comments

Do you use one of the three choices listed below:

  1. Write the thought in italics.
  2. Write the thought followed by a comma and ‘she thought.’
  3. Write the thought and assume your POV is strong enough for the reader to know whose thought it is.

I’ve listed an example of each option below.

Let me set the scene: Two women are running from an encroaching forest fire and one of them (Nora) is nine months pregnant.

Here are the examples:

  1. Kalin slammed the Jeep into park at the end of the dirt road. She leaned over the centre console and checked out Nora’s footwear. Flip-flops. Not good. “Do you think you can hike to Silver Lake?”
  2. Kalin slammed the Jeep into park at the end of the dirt road. She leaned over the centre console and checked out Nora’s footwear. Flip-flops. Not good, she thought. “Do you think you can hike to Silver Lake?”
  3. Kalin slammed the Jeep into park at the end of the dirt road. She leaned over the centre console and checked out Nora’s footwear. Flip-flops. Not good. “Do you think you can hike to Silver Lake?”

Which one do you think is best?

And can an author use all three within a novel?

I’d love to hear your opinion on this one.

Thanks for reading . . .

 

Writing: Speeding up a Scene

~ Kristina Stanley ~ 8 Comments

So you want to put your scene into overdrive? Here’s one way to work on it.

I recently read the opening scene in CJ Lyons’ Nerves of Steel. It’s a fast paced scene that takes the reader along for a bumpy ride.

I wanted to know what made this scene speed along like a comet crossing sky.

I reread the scene, looking at each word very carefully. And it seems to me, the verb choice drives the speed.

CJ Lyons uses action verbs. She doesn’t use uncommon verbs that take a reader out of the story, but she does use specific verbs representing movement.

Here are some of them:

  • Thundered
  • Chopping
  • Gusting
  • Tugged
  • Tore
  • Shredding
  • Ricocheting

You get the idea, so if you think your scene is slow, why not check the verbs and see if they are fast?

What do you do to make your scene rip?

Thanks for reading . . .