Crime Writers Of Canada: Arthur Awards

I’m giddy with happiness and need to share.

Writing  and trying to publish a novel is a long, seriously long, journey, with very few accolades along the way.

With trepidation, I entered DESCENT in the Unhanged Arthur competition. This competition is for Canadian writers and is given for excellence in mystery, suspense and crime writing to unpublished authors.

I submitted my entry last fall. In January came the first exciting news. Descent made the long list. A wild sense of relief filled me. Descent had made it that far, and I felt pretty good. Now, all I had to do was wait until April 24th for the short list announcement.

That’s sounds easy, right?

Wrong. I didn’t sleep for the four nights leading up to the announcement. On the night of the 24th, I went to bed not knowing if Descent made the list or not. I woke up more times than I want to admit, but forced myself not to turn on my computer and check. If Descent wasn’t on the list, I knew I was in for a completely sleepless night.

On the morning of the 25th, I took my first sip of coffee, opened my laptop and collected my email.

The first message I read was from a facebook friend. The text read : Congrats on making the short list.

I looked up at my husband and smiled.

“I told you, you would make it,” he said with a big grin on his face.

Next I read the email from CWC (Crime Writers of Canada) with the official notice that Descent was short listed.

I asked my husband to read the email, just to make sure I wasn’t reading only what I wanted to see.

“Yup, he said. You made it.”

Friday turned out to go by in a blur. I couldn’t quite believe I was on the list.

Saturday morning, I woke up with the first feeling of happiness about the award.

I’m still in the middle of my journey, but once in a while it’s good to stop and enjoy small successes.

Thanks for reading . . .

Here are the places I found the announcement:

CBC Books

Crime Writers Of Canada

Blog Mystery Fanfare

Blog Criminal Element

Blog Shots Crime and Thriller Ezine 

Blog Mystery Mavin Canada

Blog Black Mask

Blog The Rap Sheet

Blog Mystery Scene

Character Development

I’m excited to say I’ve added a new spreadsheet to my box of writing tools.

Getting to know new characters, or even existing characters, is exciting.

For each scene, I ask the POV character the following questions and then answer in their first person voice:

  • How did you get into the predicament you’re in?
  • What do you want?
  • Why do you want it?
  • How did you feel when (insert disaster or setback here) happened?
  • What are you going to do next?

The questions open my mind to new ideas and remind me to keep character personalities consistent.

Do you ask your characters questions to get to know them?

Thanks for reading . . .

 

Books On Point Of View

I just finished reading The Power of Point of View: Make your Story Come To Life by Alicia Rasley.

This book provides an in-depth explanation of POV and how to use it. It’s one of the best I’ve read on the subject. It’s so good I’m on my second reading.

The information contained in the pages is clearly expressed and well thought out. The exercises have motivated me to try writing in first person. Usually I write in third person, but I thought it was time to expand and try something new.

Do you know of any books on writing that were helpful? I’d love to get some suggestions for further reading.

Thanks for reading . . .

Writing Platform

Do you have place you love to write from?

Here is the view from my place this month. This is Sand Dollar beck in the Bahamas. I still can’t get over the colour of the water, and I’ll admit, it can be distracting. When I write from the bow of the boat, I usually use pen and paper. I worry about dropping my laptop overboard.

Using a pen for a change makes me write in a different way and I find it helps with my imagination. Then when I type the words I like to see the word count grow. It’s the little things that make me happy.

View from Mattina

Sometimes it’s good to sit back and reflect how great life can be. Then, back to work and get some words on the page.

Thanks for reading . . .

Procrastination Can Be A Writer’s Friend

Procrastination? Don’t feel like writing but want to hit your word count?

Writing a novel can be an intimidating task, so why not try something shorter?

For me, when I’m overwhelmed or feel too pressured by word count, I write something else. I like to have my blogs written and pre posted. In my lifestyle, I’m never sure I’ll have internet access on a daily basis, so writing blogs ahead of time reduces the stress for me. You’re probably laughing and thinking what stress can I have living on a boat for the winter, but I take my writing and my blog seriously. Self induced stress, but still stress.

How does writing in smaller increments help with novel writing?

I find by taking on a shorter piece of work, I often get in the flow of writing and can switch over to the novel. Even if I don’t, I’ve been productive and written something.

Does it have to be a blog? Nope. You could write a short story or an entry in your journal.

How do you kickstart your writing?

Thanks for reading . . .

Books about the Writing Life

Do you love to read books about writing and life as a writer?

Ann Patchett has just released a series of essays on her life as a writer. Now, I’ve only read three of the essays and think they are fabulous.

In This Is A Story Of A Happy Marriage, Patchett writes about how she started writing, her life as a child, her life with dogs, diverse. It’s personal and well written, so I thought I’d share here in case you are interest.

Patchett’s books include:

  • The Magician’s Assistant
  • The Patron Saint of Liars
  • Bell Canto
  • Truth & Beauty: A Friendship
  • State of Wonder

And now This Is A Story Of A Happy Marriage.

If you have any suggesting for books by writers writing about their life, let me know.

Thanks for reading . . .

Setting the Scene: Template for A Novel

Last week I wrote about my template for writing a scene. One of the questions I asked in that template was:  Is the setting the best place for emotional impact?

How do I answer that question? I use another template. For each setting, I ask myself:

What is the Setting Role in Story:

Who are the Related Characters:

Season:

Unique Features of the Setting:

Description:

Sights:

Sounds:

Smells:

Notes:

 

This allows me to determine if I’ve described the scene in a vivid manner. If I can’t answer most of the questions,  I don’t think the scene is the best place for emotional impact. I don’t believe sight, sound and smell have to be in every scene, but there should be something there.

The real purpose of the template is to make myself think about the scene in a structured way. If you have a way to do this, I’d love to hear about it.

Thanks for reading . . .

Scene Development

Writing is an endless process of revisions and editing, at least for me. So how does a writer know when a scene if finished? I use a template, shown below, to make me ask myself some hard questions. Once I can fill in the blanks below, I feel like I have a working draft of a scene.

I also have templates for settings and a detailed spreadsheet to keep track or dates, when a character is introduced, weather, etc., but template below gives me a sense of whether the scene has done its job in the context of the novel.

My template keeps growing and changing with each novel, but here it is in it’s current format.

Beginning = Hook:

Middle = Development:

Climax = Disaster:

Action (Scene or Sequel):

What does POV Want:

Outcome if POV fails:

How Does Scene Move Plot Forward:

How Does Scene Builds on Previous Scene:

How Does Scene Leads to Next Scene:

What’s Happening Between Characters That’s Not Spelt Out:

Is Setting Best Place For Emotional Impact?

Do you have anything you could add to the template?  I like to add new items that I can think about.

Thanks for reading . . .

Are Your Characters Likeable?

Do you find this hard to answer?

I’ve been reading Elements of Fiction Writing by Orson Scott Card and am finding it helpful. It’s an in-depth book that is giving me a lot think about.

In real life, a person might only see the best in their friends and family and ignore the flaws. This can happen in fiction too. A writer might not notice if a character is annoying, whiny, obnoxious etc. But how to you judge your own characters?

One thing I like to do is put my writing away for a while, then when I re-read the scene I ask myself: do I like this character. I’m using like broadly, in the sense of am I interested? do I want to keep reading about them?

The other question to ask is: Does the character have a motive? And what is there strongest desire?

When I meet a person, again in real life, I tend to be interested in them if they are interested in something. When a person talks about their passion, the light goes on, the eyes sparkle, the voice trembles, the tempo picks up. This is what I try to do with a character.

There is so much written on this subject, so I thought I’d mention Elements of Fiction Writing in case you’re looking for tips by an expert.

Please share your thoughts, if you know of a good book on the subject of characters.

Thanks for reading . . .

Character Development

Anyone else out there spending the holidays thinking about their characters in a novel instead of real people? A hazard of being a writer, I’m afraid.

Introducing new characters, especially if you are writing a series can be a challenge.

Do you ask yourself:

  • What did the character do before the start of the novel?
  • How did they enter the protagonists life?
  • What motivates them?

I find even if I ask these questions it’s not enough for build a well-rounded character.

I use Scrivener to write, and I add a section for scenes that happen before the novel starts. When introducing a new character I ask myself, what was the character doing one month before the novel started, 6 months before and sometimes well back into their youth. Then I write a scene from this time frame. Something dramatic that happened in their lives that changed them usually works. This helps to fill out the character and know them before the story has even started.

You don’t have to do this before you begin writing, sometimes I do this after the first draft. Once I discovered a character fit the criteria of a sociopath. After writing the first draft, then writing scenes that happened prior to the opening,  the sociopath opened up some interesting story lines. These, of course, found their way into the second draft.

For me, it’s not enough to ask questions about my characters, I need to write about them to understand them.

What about you?

Thanks for reading . . .