Mystery Mondays: Angela Petch on Location (The Life of Fiction)

This week on Mystery Mondays, lets take a trip to Tuscany. We have Angela Petch, author of Tuscan Roots, here to share her thoughts on why setting is so important to a novel.

An Observation About Setting by Angela Petch

I was up front with Kristina when she accepted me here for Mystery Monday. My first novel is not a mystery novel in the truest sense of the word. But there is plenty of mystery involved: a young woman, Anna Swilland, is at a difficult stage in her life. She’s tired of being a mistress to a married man, she’s lost her job and her mother has just passed away. Anna inherits a diary in her mother’s will. She decides to travel to Italy to her mother’s birthplace – a village nestled in the Tuscan Apennines. There she begins to piece together unimaginable parts of her mother’s life that she could never have dreamt of. Anna falls in love with her new location and stays longer than planned…and the mystery of her background unfolds.

I’ve been thinking a lot about the beautiful settings where I live, and I recently came across a Southern American writer’s observations on the subject.

Eurora Welty said, “Every story would be another story, and unrecognisable if it took up its characters and plot and happened somewhere else…Fiction depends for its life on place. Place is the crossroads of circumstance, the proving ground of, what happened? Who’s here? Who’s coming…”.Writers describe the world they know. Sights, sounds, colors and textures are all vividly painted in words as an artist paints images on canvas. A writer imagines a story to be happening in a place that is rooted in his or her mind.”

I’ve come to realise that location plays a huge part in my writing: the way it impacts on my imagination, research, descriptions and ultimately my characters.

And this past week I’ve been confused.

Why? Let me explain: I live a “bi-life” – that’s how best to describe it.

I’m so lucky to live and work for six months of the year in a breathtakingly beautiful corner of Eastern Tuscany. Then during the winter months I live by the sea in Sussex, England, which is equally as stunning but very different. This week my routine suddenly changed and my location switched from Italy to England.

Having just launched my second novel “Now and Then in Tuscany”, the characters from this story are still very much with me… I see them when I walk up the mule tracks or shop in the village piazza. I see what they buy, watch them tend their vegetable plots and guide their sheep to the meadows. Ten days ago I ate in a house in the village of Montebotolino, where I’m convinced my main character, Giuseppe, lived.

In this narrow stone building with wide oak floorboards I shared wine, ate soup made from nettles gleaned from the hillside and frittata seasoned with Old Man’s Beard – surprisingly tasty fruits of the land. The window was ajar on a panorama of hazy blue Apennines, a nightingale provided song and I imagined Giuseppe outside, leaning against the warm stone walls. Was he waiting there to tell me of inaccuracies in my book? Or did he want to pass on the latest news of his wife and son?

But this week I’ve walked along the shingly flint-scattered shore of southern England and Giuseppe isn’t there beside me. Instead, two new personalities are dawdling in front of me, picking up shells, gossiping, nudging each other as they make their way to the café for tea and scones. And they are characters from my WIP.

It begs the question – is my imagination by itself – powerful enough to transport me where I need to go in a story? Or do I need to be in that location to kick-start my writing? What would I do if I were imprisoned in a tiny cell, with no window to look out over the world? Could I do it?

In fact, last year I did end up in a police cell in Arusha, Tanzania and I’d managed to smuggle in my pen and diary…and I scribbled down some thoughts while the guards weren’t looking… But that story is for another day.

WHO IS ANGELA PETCH?

OLYMPUS DIGITAL CAMERAI’m an award winning writer of fiction – and the occasional poem. Now that my children are independent I am freer to dive into my writing and have begun to extend my readership through social media. I find this hard but also weirdly exciting in the new horizons it offers. I’m a child of the 1950’s and free time was spent with my nose in books. My three year old grandson loves books too but he is much better than I am with an I-pad. “It’s never too late,” whispers a voice in my head as I merrily tweet or press “Like”.

Every summer I move to Tuscany for six months where my husband and I own a renovated watermill which we let out to holidaymakers from across the globe. When not exploring this unspoilt corner of the Apennines, I disappear to my writing desk at the top of a converted stable.

In my Italian handbag or hiking rucksack I always store notebook and pen, for I never know when an idea for a story might strike and I don’t want it to drift away.

The winter months are spent in England, on the Sussex coast where most of our family live. When not helping out with grandchildren, I catch up with writer friends and enjoy walking along the shore, often moody and squally in the winter months. But very inspiring.

I’ve lived abroad for most of my life, including several childhood years in Italy. After graduating with honours in Italian from the University of Kent at Canterbury, I worked for a short spell for The Times newspaper, before moving to new employment in Amsterdam. The job relocated to Sicily, where I met my half-Italian husband. We married near Urbino and then went to live for three magical years in Tanzania. Wherever I travel I store sights, sounds and memories of those places for stories I feel compelled to record.

 

TUSCAN ROOTS:

 Front Cover“Tuscan Roots” is my first novel.

First published in 2012, as “Never Forget”, my publishing company went bankrupt and having lost control of my book and all royalties, I was forced to edit and reissue under this new title in 2016.

Inspired by the true story of my Italian mother-in-law, Giuseppina Micheli, who met and later married a dashing army captain in 1944, “Tuscan Roots” combines their story with the events that took place along the so-called Gothic Line. This defensive barrier crosses the area where the author lives. It is still possible to visit gun emplacements and remains of fortifications scattered across the hills. A fluent Italian speaker and graduate of Italian literature and language, I was able to interview local people for their memories of the war years.

“Tuscan Roots” is a story of two women living in two different times. In 1943, in occupied Italy, Ines Santini’s sheltered existence is turned upside down when she meets Norman, an escaped British POW.

In 1999, Anna Swilland, their daughter, starts to unravel accounts from assorted documents left to her after her mother’s death. She travels to the breathtakingly beautiful Tuscan Apennines, where the story unfolds.

In researching her parents’ past, she will discover secrets about war, her parents and herself, which will change her life forever…”

PRAISE FOR TUSCAN ROOTS

 

“…moving and interesting” – Julia Gregson, bestselling author of “East of the Sun”.

“The fascination of this extremely readable novel is how the author deftly handles the multifaceted cultural differences: Italy of the 1940s and today but also between Italy and England of yesteryear and the difficulties encountered by the war brides coming to a cold and distant land and finally, the experiences of the heroine, Anna, who even today is plunged into a different world on her ‘time travels’ which will change her own life completely.” John Broughton – Amazon reviewer.

“There are small echoes of Forster’s “Where Angels Fear to Tread” and of Hemingway’s “For Whom the Bell Tolls”. The book’s essential of discovery and revelation through “diaries” is reminiscent of Victoria Hislop’s successful and moving “The Island”, but “Tuscan Roots” is better written and a much better book. The characters are very real…” Amazon reviewer.

“Once I started to read I simply couldn’t stop and fell in love with the location and the characters. Tuscan Roots has a little something for everyone. As far as history is concerned it certainly it has a fascinating insight into the war years in Italy and its immediate aftermath in England. There is sadness, there is drama and absolutely there is a love story. All with the most beautiful descriptions of a country that the author both knows and loves. Can’t wait to read her next book. Highly recommended. Vivienne Wendy Jones – Amazon reviewer.

“A feast of a book. Angela writes with assurance and a descriptive power which transports you to Tuscany; the taste; the scenery; the history. It comes from a deep love and knowledge of the area.” Rosemary Noble – GOODREADS

(The sequel to “Tuscan Roots” was launched on April 30th 2017. “Now and Then in Tuscany” is available on Amazon, in Kindle and paperback: http://bit.ly/NTuscany)

WHERE TO FIND ANGELA

 Facebook Author Page

Amazon Author Page

Twitter

Arun scribes – Facebook: https://www.facebook.com/groups/1124757317646074/

Il Mulino: www.ilmulinorofelle.com (where I live in the summer)

Goodreads:

Website – (Under construction but to be published soon)

Link for “Tuscan Roots”: mybook.to/TuscanRoots

Link for “Now and Then in Tuscany”: https:bit.ly/NTuscany

 

 

 

 

 

 

10 Benefits of Feedback for Big-Picture Editing – Feedback For Fiction

One of our early testers asked: “How will Feedback help my manuscript?”

What a great question!  It made me think about a better way to explain the benefits of using Feedback and becoming your own big-picture editor.  Read on for my answer. I hope this helps you think about your manuscript in new ways!

 

Feedback can identify and help you fix problems within your manuscript by focusing on the structure of your story, not on the words. Some of the critical structural areas are:

  1. Pacing                 
  2. Character names and appearances
  3. Point of view characters and goals
  4. Story arc
  5. Plot holes (scenes without a clear purpose)
  6. Flow from scene to scene
  7. Absence of tension or conflict
  8. Empty stage syndrome
  9. Confusing timelines or missing objects

 

The 10th benefit of using Feedback comes from the built-in Rewrite Tips. These tips provide you with specific advice on the area of the manuscript you are working on just when you need it! No more endless searching for writing advice.

 

1. Pacing

Problem: The pacing is not working in your novel. The story is too slow or too fast.

Knowing your word count per scene helps you control the pacing in your novel. Sometimes you want to slow down the story, using the time to build tension and suspense. Sometimes you want quick action to drive the story forward. Use longer scenes to slow the pacing and shorter scenes to speed it up.

The word count per scene insight lets you quickly visualize the pacing.


2. Character Names and Appearances

Problem: Your readers are telling you they don’t feel a connection with your characters or they are confused by your characters’ names

Scenes Per Character and Cast of Characters help you visualize all your character names to ensure you don’t have too many characters per scene and that your main characters are getting enough time in your novel.

When you can see the cast of characters in one place, you’ll be surprised how easy it is to see if character names are too similar.

 

 


3. Point Of View (POV) Characters and Goals

Problem 1: You’re not sure if you’re giving the right number of scenes to your POV characters or if you’re using them in the best order for dramatic effect.

Problem 2: Your characters don’t have strong goals that drive the story forward.

See how many POV characters you have and what order they appear in. You control who is telling the story. Everything that happens in a scene should occur through the eyes of the POV character. The reader will connect with the POV characters if you don’t have too many. The reader will also get to know your POV characters by how they experience the scene. The longer a reader spends with each POV character, the more time they have to like or dislike them.

 

You can see the Point of View character goals per scene and ensure your characters have strong goals in every scene that drive the story forward. The novel shown is written from one point of view. Multiple points of view can be shown too.

 

 


4. Story Arc

Problem: Your readers don’t stay engaged for the entire story. Are your key scenes in the correct place? The story arc will show you where the inciting incident, plot points, and climax should be. You’ll be able to place these key scenes for the highest dramatic effect.

 

This story arc shows my work in progress on Evolution (my latest novel), along with several of the character entry and exit points overlaid.

 

 

 

5. Plot Holes (scenes without a clear purpose)

 

Problem: Some scenes cause plot holes by not being connected to the story.

 

This usually means the scene doesn’t have a purpose. If you don’t know the purpose of each scene in your novel neither will your reader, and you most likely have a plot hole.

 


 

6. Flow

Problem: Readers stop reading at the end of a scene or at the beginning of the next scene.

How do you open and close each scene? What are the entry and exit hooks? The flow of your novel depends on leading the reader into and out of your scenes. Feedback helps you work on how you’re entering and exiting scenes. You can quickly see if you’re using repetitive opening and closing types that might bore your reader. You can ensure you’ve used dramatic entry and exit hooks to get the reader into the next scene and keep them there.

You can also see just your scene opening or closing types. Check out how many times you use each type, the percentage of use, and the order the types appear in. You can see quickly if you have the balance right for your genre. Here’s a peek at my upcoming novel, Look The Other Way. You can see I’ve opened almost half of the scenes with action.


7. Tension and Conflict

Problem: Your readers are telling you they are bored or skimming in places.

Do you have enough tension and conflict in each scene? Too many scenes in a row without tension or conflict will bore your reader.



8. Empty Stage

Problem: Your readers can’t visualize your settings and are not moved emotionally by them.

Are you using senses and objects to fill the stage? You’ll know quickly if your stage is empty, and an empty stage means unengaged readers.

 


9. Confusing timelines or missing objects

Problem 1: Your readers are lost in time or complaining they can’t keep track of time.

Problem 2: You’re not sure where key objects appear in your novel.

You can keep track of the time in which a scene takes place. You can also see which scenes important objects appear in. If you want, you can even add a row that shows which characters are in the scene, too. Then it’s clear who knows about the objects and when they know about them.

 


10. Rewrite Tips

Problem: You don’t have time to search through how-to-write or self-edit books to find the knowledge you need to turn your first draft into a great story readers love.

If you’re struggling with finding advice on big-picture editing, Feedback provides this at your fingertips. The rewrite tips are focused on the area you’re working on, eliminating time-consuming searches through books or the internet.

Source: 10 Benefits of Feedback for Big-Picture Editing – Feedback For Fiction

Announcing WINNER of Death Takes No Bribes by Susan Van Kirk

Congratulations to Karen Wood! You’ve won a copy of Death Take No Bribes.

Susan generously offered a copy of Death Takes No Bribes to a randomly chosen commenting on this week’s Mystery Mondays.

Karen – please contact me via my Contact Page and I’ll get you connected with Susan!

DEATH TAKES NO BRIBES

NoBribes_CMYK_300dpi.jpg WHO POISONED ENDURANCE HIGH SCHOOL PRINCIPAL JOHN HARDY?

Retired teacher-turned-sleuth Grace Kimball returns to her old haunt with Detective TJ Sweeney to investigate Grace’s former colleagues. Could one of them be a killer?

The chemistry teacher who designed a poison unit? A spurned lover or her betrayed husband? A soon-to-be wealthy widow? Sweeney and Grace have plenty of suspects. To top that off, the drama teacher at the high school is producing “Arsenic and Old Lace.”

Meanwhile, Grace’s boyfriend and editor of the Endurance Register, Jeff Maitlin, has disappeared on some mysterious errand from his past. Then, Grace gets devastating news.

Death is stalking the halls of Endurance High School, and Grace Kimball and TJ Sweeney are only a few steps ahead.

WHO IS SUSAN VAN KIRK?

IMG_0032Susan Van Kirk was educated at Knox College and the University of Illinois. Three May Keep a Secret, her first mystery novel about the small town of Endurance, was published in 2014 by Five Star Publishing/Cengage. The Locket: From the Casebook of TJ Sweeney, is an e-book novella available on Amazon. Marry in Haste and Death Takes No Bribes are also available from Amazon in Kindle and paper formats.

Farley’s Friday: There’s a Mouse in the Hot Tub

Farley here,

I am one busy dog. I don’t know how my humans would take care of this place if I wasn’t here.

They, my humans, don’t seem to have any sense of smell and are a little hard of hearing.

I hear a squeak. I smell the mouse from inside our house.

I run to the door, wag my tail, and stare outside. This is where the humans are quite smart. Kristina knows this means she must open the door for me. I don’t bark, whine, or scratch the door. She can read my mind. I just stare, and she does what I want.

I burst outside and circle the tub. I know a mouse is hiding inside, but I can’t get to it. All I need to to is scare it, and it will run away.

After an hour or two, I get a little tired and just sit and stare. Maybe the mouse can read my mind too, and it will know it should leave.

Farley Hot Tub

Darkness comes. My humans make me come inside and go to bed. I don’t want to, but I know I have too. I’m getting a little cold anyway.

Morning comes, and before I do anything else, I run to the hot tub and search for the mouse. I can’t hear it and I can’t smell it. It’s gone.

I’ve done my job and scared the mouse away!

Woof Woof.

 

The EDITING App You Need – Guest Blog Post by Kristina Stanley | Dan Alatorre – AUTHOR

Dan Alatorre

is author of numerous best sellers, host of the YouTube video show Writers Off Task With Friends, blogger… and father to a hilarious and precocious daughter, “Savvy” of the bestselling book series Savvy Stories. His novels, short stories, illustrated children’s books and cookbooks have been translated into 12 different languages and are enjoyed around the world.

So why am I talking about Dan? Dan graciously hosted my guest post yesterday on his blog, and I’d like to share that with you.

So over to Dan’s blog: The EDITING App You Need – Guest Blog Post by Kristina Stanley | Dan Alatorre – AUTHOR

***

Kristina Stanley has been a friend of the blog for quite a while. As a fellow author she noticed several things we writer types struggle with and set about finding a way to help. I’ll let her…

 

Romancing Your Novel With A Big-Picture Edit

In honor of the Get Social Blog Hop, I’d like to cover editing a romance novel. You can find other blogs on the hop are here.

get2bsocial2bevent

Some of you may know, my upcoming book is a mystery, but it’s different from the Stone Mountain Series in that it has more romance in it.

There are many areas to cover when you’re editing your first draft, and today I’ll cover four Key Elements of Fiction important to romance novels.

Screen Shot 2017-06-03 at 9.33.09 AM Point of View

Screen Shot 2017-06-03 at 9.33.09 AM Characters on Stage

Screen Shot 2017-06-03 at 9.33.09 AM Spice (Conflict and Tension)

Screen Shot 2017-06-03 at 9.33.09 AM Purpose of each Scene

Even in real life, romance takes effort. The same is true for creating a romance novel that sizzles.

Screen Shot 2017-06-03 at 9.33.09 AMPoint of View

 

Point of View (POV) is the perspective the story is told from. It is generally accepted that each scene is written from the point of view of one character.

In a romance novel, you have to make choices on who the POV character will be. It can be mostly the hero, mostly the heroine, or an equal balance between the two. By using both points of view, you’ll be showing the feelings and thoughts from both characters.

The Feedback tool for writers illustrates how many scenes each POV character has and what order they appear in. In Look The Other Way, Shannon (heroine) has the POV for 47 scenes, and Jake (hero) has the POV for 37 scenes. The graph along the bottom shows the order of the point of view, allowing me to make sure I’m switching between the hero and heroine regularly.

POV Characters

Screen Shot 2017-06-03 at 9.33.09 AMCharacters on Stage

 

There can only be romance if both the hero and heroine are in a scene together. Keep track of how many scenes you have where only one is in the scene versus scenes where both characters are onstage. The Feedback app does this for you.

Below, Jake and Shannon are both in the scene along with another character Debi Hall. Kendra is Jake’s cousin and is only mentioned in the scene. The scene is from Jake’s point of view, so the reader will see and hear things from his view point only. The reader won’t know what Shannon thinks or feels unless Jake comments on it or thinks about it or Shannon says something.

Character in Scene LTOW

Screen Shot 2017-06-03 at 9.33.09 AMSpice

 

To keep the story exciting there must be conflict and tension between the hero and heroine. If you’re writing a happy-ending romance, the hero and heroine will resolve the conflict and tension by the end of the story and live happily ever after.

The two can be working toward the same goal, but maybe they go about it differently and that causes the tension.  This resolution must not happen until the end. Each scene until the end must have conflict or tension or both.

Feedback enables you to see what conflict and tension are in each scene. You can see if the tension and conflict are in line with the purpose of scene. Just make sure you have either conflict or tension in every scene. You don’t have to have both.

Here you’re getting a sneak peek at my work in progress, Evolution.

Conflict Tension

Screen Shot 2017-06-03 at 9.33.09 AMPurpose of Each Scene

 

The romance genre requires a special look at the purpose of each scene. In a mystery, the sole purpose of a scene may be to drop a clue or a red herring into a scene. But in a romance novel, the purpose of a scene may revolve around character development, driving the romance forward, or driving the romance backward.

Here are some of the key scenes you’ll need.

  • Introduce heroine and set up her world
  • Introduce hero and set up his world
  • Inciting incident – something happens in their world that will cause them to meet.
  • First kiss
  • Plot point one – the hero and heroine face something difficult
  • Middle – the characters can’t turn back to the story. They may also decide they are not right for each other.
  • First quarrel
  • Plot point two – their relationship is at its worst
  • Finally get together
  • Resolution

In the following, which is the Feedback insight into Purpose of Scene for my work in progress Evolution, you can see in the first 9 scenes, the hero and heroine meet, there is tension between them and they have their “first kiss.” You can also see 44% of the scenes in this novel are moving the story forward.  This means there is more than romance in the story and the hero and heroine have a goal they are desperate to achieve.

Feedback will help you keep track of the romance and its progression as you self-edit your novel.

Purpose of Scene Romance

More Self-Editing Advice

BIG-PICTURE EditingIf you’re looking for more help on self-editing download the free eBook, BIG-PICTURE Editing And The Key Elements Of Fiction and learn how big-picture editing is all about evaluating the major components of your story. We call these components the Key Elements Of Fiction.  Our eBook shows you how to use the key elements of fiction to evaluate your story and become your own big-picture editor.

Interested In An Automated Approach To Big-Picture Self-Editing?

Feedback Innovations (which I happen to be the CEO of) is building the Feedback app.

Feedback is the first web app to help fiction writers evaluate their own work with a focus on story, not words.

With Feedback, you can focus on plot, character, and setting. You can evaluate on a scene-by-scene basis or on overall novel structure. Feedback will show you the most important structural elements to work on first.

Feedback will guide you through the rewriting process by asking you questions specific to your manuscript, enabling you to evaluate your own story.

Feedback helps you visualize your manuscript. Forget about yellow stickies or white boards. Feedback will draw character arcs, provide reports on scene evaluation, and show your rewriting progress.

Happy editing and thanks for reading…

Farley’s Friday: Dog and Bear

Farley here.

Deep sleep to wide awake. I smell it. I stand and walked stiff-legged to the window.

DSC_1109.JPG
Farley’s Bear Impersonation

I take a deep sniff. There’s a bear behind my house.

I growl. Deep in my throat and that wakes my human.

“What’s wrong?” Kristina asks but doesn’t raise her head.

I bark.

She rolls over.

I bark again and jump on her. This gets her attention.

I run back to the window and bark some more. This gets the neighbor’s dogs going.

My humans turn on the flood light, and sure enough, there’s a bear in the back yard.

I run to the basement, hide in the closet, and bark as loud as I can.  My barks echo here, so I know I’m loud.

When I hear all is quiet, I slink  back upstairs and check.  The bear is gone.

Good thing I was here to talk care of things.
Woof Woof.

Mystery Mondays: Call For Authors

Promoting Reading – Promoting Authors

Mystery Mondays began in July 2015. Authors from many genres who write with a hint of mystery have told you about their books, answered your questions about writing and shared their thoughts with you. Every Monday, you’ve be introduced to another author and maybe discovered someone you’re not familiar with.

Are you interested in guest blogging?

I am now accepting guest blog requests for the remainder of 2016 starting on June 26th (although some spots are books throughout the summer). If you’re interested contact me here.

If you’d like to participate, here’s what you need to qualify:

  • you are a published author – traditional or Indie or any other way that I don’t know about,

OR

  • you are about to publish and have a launch date within a week of blog post,

AND

  • you want to promote other authors and spread success,
  • you write novels with a hint of mystery,
  • you are willing to engage in the comments section when readers comment on your post.

All I ask from you is that you follow my blog, comment on author’s posts and help share via Twitter and Facebook.  If you’re interested send me a message via my contact page.

The Requitements:

You’ll have to send me your bio, back text of your novel, author photo and book cover.

I’d like you to write something about yourself, your novel, your research, a writing tip or a publishing tip. Please keep in mind I am a family friendly blog.

I do reserve the right to edit anything I think might be inappropriate for my audience, which I will discuss with you first. I think anything under 700 words is great, but it’s your book so up to you.

I’m looking forward to hearing from you and sharing your novel with the Internet world.

Mystery Mondays: Elaine Cougler with 7 Reasons Why Writers Need To Be Speakers

This week on Mystery Mondays, it is my great pleasure to host author Elaine Cougler. Elaine was one of the very first authors to connect with me when I first started writing a blog. Years have gone by, and we still support each other in our work. It’s a wonderful thing to have a friend I’ve never met but feel like I know.

Elaine first appeared on Mystery Mondays in November 2016 with a post about Linking History and Fiction.

Today, she’s here with another topic.

7 Reasons Writers Need To Be Speakers by Elaine Cougler

Screen Shot 2017-05-28 at 4.46.58 PMWhen I first talked to Kristina about appearing on her Monday Mystery blog, we discussed a new book I was working to finish and that this would be a lovely place to write about it. As sometimes happens in this writing life my muse took a holiday and left me to click clack on the keyboard alone; hence, I have no new book to announce just yet.

What I do have, though, is the voice of experience—my experience with my first three books, my Loyalist trilogy, and their marketing.

I made the mistake most new writers make in not paying attention to marketing until after I had the book published. I was busy enough I thought. Then three weeks into my new life as a published author receiving book orders from friends and family—all so supportive—I got the call to speak at a meeting in my city. And I could take my books to sell.

Coming into that event I had twenty-five years experience as a high school teacher and many more years as a singer, both “on-stage” pursuits that helped me battle the nerves and just have fun with my audience. Well that particular meeting changed my life.

I took my place at the podium with the mic and the electronic pointer for my slides. I’d barely begun when one of the men—the audience was all men—walked to the front of the room close to where I was. Distraction. I ignored it. In a moment he was up there again and this time my teacher voice kicked in. “There’s one in every class.” I laughed and pointed at the offender. The all male audience roared. I relaxed and so did they. And the man stayed in his seat from then on.

This incident shows that even though they all knew each other and most certainly knew this man, they shared a characteristic of all audiences. They wanted me, their guest speaker, to succeed. And they could see this man’s distraction. They loved it when I took over the stage and made it my own. As author-speakers we need to remember the audience is with us. They are most comfortable when we speakers succeed.

Here are a few other points that might convince all of us writers to be ready to talk about our books:

  1. Our books compete with literally millions of other new titles published in the world each year. We have to try to stand out in order to even be noticed. We can do that on stage.
  2. There’s nothing like personal contact where potential readers can hear about our stories right from the author’s lips. A smile goes a long way.
  3. A speaker has a captive audience. What a great way to engage potential readers who may want to give your book a try.
  4. We get to read excerpts from our books and if we’re smart we’ll pick parts that end with a cliffhanger. I have one chapter that ends with Lucy having a nightmare. I ended it with her sitting up in bed and the last line is “Someone was in the room.” My audience wants to know what happens and I sell books.
  5. If you publicize your event, you get publicity even if not everyone who reads the ad comes to your event. I do this on Facebook a lot. That reminds me that I’ve got to put an event for this Saturday up there! (I’m helping my friend who has a recording studio do a workshop on recording books. He did mine.)
  6. You meet others who can add to your own knowledge about your subject. This happens to me because I write historical fiction and it also leads me to other gigs. Check your own area for clubs such as reading clubs, historical groups, book clubs, library clubs, church groups, Women’s Institute or similar groups, ancestry groups, schools and any other organizations whose purpose relates to your book. Because I’ve written about the Loyalists, many of those Canadian groups have contacted me, eager to engage about our common loyalist ancestry.
  7. People will introduce you to their friends as a writer. You need to have your 15-second elevator pitch down cold because they will ask what you write about. And be excited, not apologetic. Let your eyes shine. You’ll see soon enough who wants to hear more and who is not the slightest bit interested. It’s okay. Not everyone is a reader. At book selling events I often ask people who are kind enough to stop at my table if they are readers. If they say no, that’s fine. They may buy books for someone who is a reader. The trick is to find out. And not to be pushy!

The audience does want you to succeed. And you want to give them what they want. Take the time to practice your talk. Get comfortable with it. If you go for a prepared speech, make sure you don’t just read it. Mark places to look up, engage your audience with questions, let them see you’re a person. You can even do self-deprecating humour where you laugh at yourself.

I often mention the catalyst for this journey of mine, my son, who asked me if there was anything I wished I had done in my life that I hadn’t yet tackled. I answered, “Write a novel.” He replied with a long list of my accomplishments, which I tell them, and then I interject “I think he wanted money or something.” They laugh. And I go on with his final bit “If not now, when?” It really was the catalyst. The next week I bought How to Write and Sell Your First Novel and I was off on this great self-defining adventure.

All three books in the Loyalist trilogy are available on Amazon.

Screen Shot 2017-05-28 at 4.45.25 PMAfter the crushing end of the War of 1812, William and Catherine Garner find their allotted two hundred acres in Nissouri Township by following the Thames River into the wild heart of Upper Canada. On their valuable land straddling the river, dense forest, wild beasts, displaced Natives, and pesky neighbors daily challenge them. The political atmosphere laced with greed and corruption threatens to undermine all of the new settlers’ hopes and plans. William knows he cannot take his family back to Niagara but he longs to check on his parents from whom he has heard nothing for two years. Leaving Catherine and their children, he hurries back along the Governor’s Road toward the turn-off to Fort Erie, hoping to return home in time for spring planting.

With spectacular scenes of settlers recovering from the wartime catastophes in early Screen Shot 2017-05-28 at 4.46.11 PMOntario, Elaine Cougler shows a different kind of battle, one of ordinary people somehow finding the inner resources to shape new lives and a new country. The Loyalist Legacy delves further into the history of the Loyalists as they begin to disagree on how to deal with the injustices of the powerful “Family Compact” and on just how loyal to Britain they want to remain.

 

Elaine low reswww.elainecougler.com

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Farley’s Friday: My Predecessor Is In The News!

Farley here,

Kristina had a dog before me, and I’m just a little bit jealous. Chica was a Yellow Lab, and when Kristina talks about her, she gets this wistful look in her eye.

I know she loves me, but I think she loved Chica, too. I guess that’s ok.

Today, Chica appears in a blog by Judy Penz Sheluk and she’s talking about some funny things she did a work with Kristina.

You can check out the interview if you want. I won’t mind…

Find Chica at: Before They Were Authors: Kristina Stanley | Judy Penz Sheluk

Kristina Stanley is the author of the bestselling Stone Mountain Mystery series, published by Imajin Books (who also happens to be the publisher of my Marketville Mystery series). The series is set…